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    Articles by Tim Appelo
    Baio the slimmed-down, late-career hunk.
    The Bread, My Sweet: A Big Bat Scott...
    By Tim Appelo • October 9, 2006 12:00 am

    THE FIRST STARTLING thing about The Bread, My Sweet (which opens Friday, July 18, at the Metro) is how handsome…

    Read Story

    Nine Lives
    Nine Lives
    By Tim Appelo • October 9, 2006 12:00 am

    Opens Fri., Oct. 28, at Harvard Exit.

    Read Story

    Eminem gives Murphy the evil eye.
    Eminem Crosses Over
    By Tim Appelo • October 9, 2006 12:00 am

    Dog’s got some star appeal, but he’s still bigger on the small screen.

    Read Story

    Depp shivers his timbers.
    Pirates of the Caribbean: The Curse of the...
    By Tim Appelo • October 9, 2006 12:00 am

    No rip-off, this pirate-ride movie is actually fun.

    Read Story

    Audrey McManus
    Audrey McManus
    By Tim Appelo • October 9, 2006 12:00 am

    Sex toy specialist

    Read Story

    Reilly (left) and Dench offstage.
    Mrs. Henderson Presents
    By Tim Appelo • October 9, 2006 12:00 am

    Opens Fri., Jan. 13, at Guild 45 and Uptown

    Read Story

    Bob Hope
    The Road to Morocco
    By Tim Appelo • October 9, 2006 12:00 am

    One of the best lines about the man Bing Crosby called an “underhanded sicklesnoot” has been attributed to Tony Orlando:…

    Read Story

    What's the point? Damon and Affleck.
    Off the Map
    By Tim Appelo • October 9, 2006 12:00 am

    Gus Van Sant gets lost, but beautifully.

    Read Story

    Sketchy talent: Noah Taylor plays the young Hitler in Max.
    Adolf the Aesthete
    By Tim Appelo • October 9, 2006 12:00 am

    Daring to understand Hitler as an artist, and his hideous acts of creative imagination.

    Read Story

    Paris Hilton is so not a slut!
    Sundance Confidential
    By Tim Appelo • October 9, 2006 12:00 am

    Forget the big picturethat’ll come next week. Here’s the dirt from my first five days in Park City.

    Read Story

    Bernal seeks spiritual guidance.
    Petty Crime
    By Tim Appelo • October 9, 2006 12:00 am

    Mexican tale of a naughty priest isn’t so scandalous here.

    Read Story

    Kidman's Woolf can't decide whether to kill herself or her characters.
    Artful Downer
    By Tim Appelo • October 9, 2006 12:00 am

    Despite three great performances, this Woolfian adaptation still adds up to one overrated mope-fest.

    Read Story

    The Port and the Pot Granny
    The Port and the Pot Granny
    By Tim Appelo • October 9, 2006 12:00 am

    Don’t expect the tolerance of Hempfest to extend to Sea-Tac Airport.

    Read Story

    Jim Carrey (right) strives to deprive three orphans of a fortune.
    No Great Shakes
    By Tim Appelo • October 9, 2006 12:00 am

    The Snicket movie gets the books’ look right, if not the fear.

    Read Story

    Nobody's out to get Morel in Couple.
    Two Out of Three Are Good
    By Tim Appelo • October 9, 2006 12:00 am

    Same cast, different genres—I can’t wait to see how the third installment of this triptych turns out.

    Read Story

    Daughter Traoré (left) draws strength from mother Coulibaly.
    Showdown on the (Global) Village Square
    By Tim Appelo • October 9, 2006 12:00 am

    An African woman stands up to the crowd, and Americans will be cheering for her.

    Read Story

    Ballard (left) and Birk: vivid debate.
    No Uncertain Terms
    By Tim Appelo • October 9, 2006 12:00 am

    A brilliant performance brings science alive at the Rep.

    Read Story

    Guest in character.
    Christopher Guest
    By Tim Appelo • October 9, 2006 12:00 am

    A sit-down with the director and star of A Mighty Wind.

    Read Story

    Tell me more about this L. Ron Hubbard, grasshopper. Watanabe and Cruise.
    The Last Samurai
    By Tim Appelo • October 9, 2006 12:00 am

    Trading six-shooter for sword, Cruise stars in an action-packed Eastern that’s emptier than Zen.

    Read Story

    Ledger (left) and Damon as Gilliam's charlatan brothers.
    Split Decision
    By Tim Appelo • October 9, 2006 12:00 am

    This fairy tale lacks the full soaring madness of Terry Gilliam at his best—and avoids the murky dishevelment of Gilliam at his worst.

    Read Story

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