An opinionated guide to this week’s gallery and museum shows.
Theater companies think small—with big results.
Sound artist Richard Lerman’s “Fences-Borders” is a quiet, stark installation. A long bougainvillea vine twisted and dried into a looping…
Three artists seal themselves inside a crate to inaugurate Scott Lawrimore’s trend-setting new art gallery.
Former Seattle artist James Jaxxa now lives in Manhattan, where he has a studio in Chelsea. He has contributed to…
An opinionated guide to this week’s gallery and museum shows.
A Paul Klee quality of beguiling—and misleading—simplicity pervades the abstract oil paintings of Tracy Curley. Feathers, fish bones, amoebas, words,…
Send listings two weeks in advance to visualarts@seattleweekly.com. Lectures and Events Wilderness and Imagination As Congress once again toys with…
Is Joanna Thomas just being a smart-ass when she grafts a perturbed red pair of women’s lips onto an iconoclastic…
Local artists, gallery owners, curators, and critics sound off on the Seattle arts scene.
An opinionated guide to this week’s gallery and museum shows.
Contemporary art specialist Michael Darling may not be daring, but he’s a safe, solid choice for SAM.
There’s a simplicity and joy to Fulgencio Lazo’s work that’s refreshing. His oil paintings evoke Paul Klee and Marc Chagall…
Henry Art Gallery seeks out provocative, disturbing work.
Western Bridge leaps into spring with obsessive gardeners, giant ferns, and spurting elephants.
Robyn O’Neil
Plus: an interview with the artist.
As a “junk artist,” Seattle native, and African-American woman, Marita Dingus’ identity is as richly textured as the sculptures and…
An opinionated guide to this week’s gallery and museum shows.
Send listings two weeks in advance to visualarts@seattleweekly.com. Lectures and Events Benefit for Bamboo at Roq la Rue This one-night…
