Robert Redford still wants to be a star, but Warren Beatty doesn’t care anymore.
How one lonely critic failed to save a film 22 years ago, and how Francis Ford Coppola came back to thank her for it.
Polished biopic fails to animate its vital subject.
The haves and the have-nots have at it in Terence Davies’ adaptation of Edith Wharton’s masterpiece.
Southern belles reveal grit and grievances.
Absent a marriage plot, or any real plot, Nicole Holofcener dissects the manners of matrons and maids.
German yuppies contemplate misguided lives.
In a clinical study of human misbehavior, Frances McDormand stands far above the other subjects of Laurel Canyon.
Then we see their true selves revealed.
Disparate women share common self-doubts.
A killer pays his debt, and then some, in this harsh border morality tale.
Trophy wife pays price for her acquisition.
Escaping the hopeless East, Lilya finds even less hope in the West.
Fateful bus ride leads to catharsis.
Reese leaves her ditzy dames behind to make social climbing a heroic sport.
The writer will do anything to get his book. The film shows at what a profound moral cost.
In a middle-American odyssey, Jack poignantly captures his character’s crumpled humanity. Too bad everyone else is a cartoon.
Musician seeks lower form of expression.
Infidelity restaged through different roles.
In his best film since GoodFellas, Scorsese picks a tragic hero who couldn’t master his life on the ground.
