An uncomfortable love is on display in WET’s season opener.
One hit, one miss, as two plays take swings at George W.
Also: The Ugly American.
Illness as metaphor.
Tiny toy ninjas bring an odd new humanity to Hamlet.
WET combines skits and sociology in carnal collage.
The message is timely, but attention to detail is missing in action in this WWI drama.
Rapunzel never relaxes into its tale.
Seattle Shakespeare Company’s Richard III oozes and schemes his way up the high-tech corporate ladder.
Open Circle Theater goes gay and gonzo at Re-bar.
In Taproot’s remounting, a suicide stirs up a callous clan’s ugly secrets.
A woman constructs her own double in this antic, cyberpunk meditation on identity.
Mike Daisey sets autobiography aside to examine the linked lives of tragic geniuses.
But what else would you expect from South Park creator Trey Parker?
ACT misses present and future relevance with a nostalgic trip to the past.
The charlatan Tartuffe sharpens his teeth on plush surroundings at the Lee Center for the Arts.
Shaw’s bitter meditation on a class blind to its impending doom.
CHAC’s theatrical gamble.
Strong casting and an uncluttered approach make Shakespeare shimmer.
The Seattle Rep scores with Michael Frayn’s dizzying, dueling farces.
