Gay romance gone bad.
Dowdy dialogue straight out of the playwright’s primer.
This world-premiere musical never seems anything but authentic.
A bathroom as a metaphor for baggage.
After giving a rave to Mike Daisey’s Apple take-down last year, a critic reconsiders his opinion.
Learning Seattle’s codes.
Seattle Shakes gets everything right.
Contradictions and shadowy truths in Nick Garrison’s flawless performance.
Get tipsy before seeing Cocktails at the Centre of the Earth.
A musical take on phone-sex work.
In which grown men play pubescent girls.
The Peanuts gang cast off their innocence, and charm, as teenage waste-cases.
The story of a life in the circus, with more showmanship than show.
A surreal tale of two Southern boys, one blatant, one latent.
A fateful hook-up on 9/11 eve.
A semi-autobiographical, semi-farcical look at theater and race.
Disney’s new Aladdin adaptation doesn’t need Broadway to be profitable.
Caryl Churchill’s gender-bending–well, everything-bending–is entrancing and utterly daft.
Kids will love it, though–or perhaps because–it’s nonsense.
Well-intentioned caricatures instead of characters make this a shallow pool indeed.
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