House of Dames’ Nikki Appino brings us a story of sex, death, and bees with bouffants.
ACT’s production of Warren Leight’s new play listens close to the music.
Annex tackles the archetypal slacker.
I don’t love them. I don’t hate them. Is that so wrong?
5th Avenue Theater—With the hire of new artistic director David Armstrong, the 5th Avenue has given a vote of confidence…
ACTs “chamber musical” makes a star out of its director.
Ten years later, the Seattle Fringe Festival promises to defy expectations.
What did the Bard ever do to us for us to treat him so?
Week two: wrapping it all up.
Wherein I finish my Yuletide trek and find much good.
A lumpy concoction of fairy tales at the Children’s Theater.
Hello, summer; goodbye, brain cells. Something about sunshine on the skin (and pollen in your nose) makes thinking more trouble…
On the Boards board members circle the wagons following Murphys dismissal
Ambiguity, ideas, morality—in a war movie?
The mystery of multiple personalities explored in Susy Schneider’s new play.
Freehold’s actors and a visiting director collaborate on a very Russian Vanya.
For $30 at Costco, I got what I paid for.
UMO’s new show is big and bold, but what does it mean?
A musical based on a hunchback is obviously disfigured.
An old melodrama that should have been a new comedy.
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