A period piece made spectacular by love and style.
The story of Sokvannara Sar, who began performing traditional Khmer dance in Cambodia as a child; who was discovered by…
Treading the line between shtick and outright theft.
Sergei Rachmaninoff frequently gets a bum rap for being conservative and derivative, though there are few composers easier to play…
Breaking the fourth wall in a Shakespearian comedy.
A Japanese-flavored chamber opera.
The emotional wreckage from a fathers death is the creative
wellspring for Seattle Operas first commissioned piece in decades.
Jay BlakesbergThe Kronos Quartet played the Kirkland Performing Arts Center on Tuesday, Feb. 2.It had been a while since the…
Making a storybook melodrama from classic clichés.
The brand-new Cadence Chamber Orchestra plans to perform concerts in pairs, one in a traditional hall (tonight at 8, at…
In the ongoing hand-wringing debates over classical music’s future in America, all the focus is on the classical-music business—stats about…
Peter Hallock turned medieval tradition into a contemporary phenomenon.
The Degenerate Art Ensemble does everything twice.
Book-It’s Emma is not quite unlikeable enough.
At Seattle Opera, a courtesan declares her independence. Maybe.
The guy cooling his heels at the back for much of the symphony? Hes one of the best reasons to hear the SSO.
Chasing Nicolette is yet another child of their fecund new-musicals workshop.
New singers struggle to fit comfortably into a beloved production.
Two performance-art provocateurs explore the importance of reinventing Earnest.
Schwarz and his orchestra have been on an end-of-season tear.
