After ushering in a double disc of Miracles with his last album, underground icon Steve Wynn explores his troubled soul on the forthcoming Static Transmission.
New Neil Young bio takes a dark journey through the past.
As their early work gets a polishing, one fan offers memories of a night with the mighty ‘Mats.
The members of Pearl Jam break their silence to talk about the changes, challenges, and motivation behind staying together and the making of their latest, Riot Act.
Johnny Dowd stretches out with The Pawnbroker’s Wife.
With the release of a new box set, a whole generation of indie and alt rockers comes out of the closet to profess their love for Yes.
Shakey: Neil Young’s Biography—all the ragged glory and more.
Given mixed reviews at home, U.K. songsmith Ed Harcourt’s latest offers plenty for more patient ears.
A new set of reissues look at the Ramones’ midperiod.
A new archival set revisits Chip and Tony Kinman’s pioneering alt-country outfit Rank and File, as the brothers continue to expand their Cowboy Nation.
Songsmith Richard Buckner isn’t that sad . . . really.
The wordless muse of local combo Kinski.
Amid an almost embarrassing media blitz, Bruce Springsteen addresses a bruised and battered nation with his post-Sept. 11 song cycle, The Rising.
Trundling out an endless parade of designer divas and pop tarts, Rolling Stone raises the ire of many who still love rock ‘n’ roll.
More than a decade later, the Gin Blossoms’ career-defining album remains a melancholy classic.
Rediscovering the oft-forgotten Nikki Sudden.
Cobra Verde answer the question with a resounding yes.
The Complete Monterey Pop Festival: ‘This is the love crowd!’
![Strummer: "I'm happy to get that [guitar] and figure out something to do with it."](https://www.seattleweekly.com/wp-content/uploads/2018/11/1167511.jpg)
Joe Strummer: 1952-2002.
Use your CD player to set the mood with these holiday chestnuts.
Alejandro Escovedo explores history and heritage with a stunning new song cycle.
For Cobra Verde’s John Petkovic, rock ‘n’ roll hasn’t come back; it never went away.
Damien Jurado finally delivers a classic.
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