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    Articles by Brian Miller
    Everybody on board
    Everybody on board
    By Brian Miller • October 9, 2006 12:00 am

    Seattle’s other guided theme tours.

    Read Story

    Answered prayers in Timmy's Wish.
    SUFFed
    By Brian Miller • October 9, 2006 12:00 am

    Fun fest fields fringe flicks.

    Read Story

    Melancholy monorail rider Zhao Tao never reaches her destination.
    No Exit
    By Brian Miller • October 9, 2006 12:00 am

    Theme-park workers can’t escape, and the director, too, seems stuck in a rut.

    Read Story

    Cracks in the roadway brought down GhostCycler #14.
    Wheeled Apparitions
    By Brian Miller • October 9, 2006 12:00 am

    Bicyclists’ high-profile political statement is also a savvy urban-art installation.

    Read Story

    Unhappy couple Carrey and Winslet contemplate all the bad times they've shared together.
    When Harry Forgot Sally
    By Brian Miller • October 9, 2006 12:00 am

    Love’s a battleground—all inside Jim Carrey’s head—in this brainy but unexpectedly moving amnesiac romance.

    Read Story

    The long march home
    The long march home
    By Brian Miller • October 9, 2006 12:00 am

    An Arctic epic uncovered from the past.

    Read Story

    Lemon's cover, one of Krauser's 10,000 hand-drawn versions.
    Strange fruit
    By Brian Miller • October 9, 2006 12:00 am

    “It does not seem fair that he should have to explain himself,” broods our love-struck protagonist.

    Read Story

    The last picture show
    The last picture show
    By Brian Miller • October 9, 2006 12:00 am

    What went wrong at AtomFilms, and what does its departure mean to Seattle?

    Read Story

    Transitory Vision
    Transitory Vision
    By Brian Miller • October 9, 2006 12:00 am

    As Allied Arts contemplates the waterfront, the focus is cars and the gas tax, not urban planning.

    Read Story

    Leung and Cheung in an affair to remember.
    Never make your move too soon
    By Brian Miller • October 9, 2006 12:00 am

    It’s a waiting game for would-be lovers.

    Read Story

    Not even Ferrell can find much funny about Mitchell's comic half of Melinda.
    The Vampire’s Curse
    By Brian Miller • October 9, 2006 12:00 am

    Woody Allen gives us two stories for the price of one. Don’t we even get half the enjoyment value for our ticket?

    Read Story

    Monkey Business
    Monkey Business
    By Brian Miller • October 9, 2006 12:00 am

    New book and DVDs tell the larger-than-life stories behind King Kong.

    Read Story

    Al collars Robin.
    Northern exposure
    By Brian Miller • October 9, 2006 12:00 am

    Six days without sleep take their toll on a man’s conscience.

    Read Story

    Newman's Hudson Hornet (left) teaches Wilson some old cornering tricks.
    Planet Gas
    By Brian Miller • October 9, 2006 12:00 am

    Pixar takes us back to the days of cheap leaded fuel, tail fins, and winding highways. Which is fine for dads, though kids may not see the point.

    Read Story

    Saved: The Metro during its midwinter crisis.
    Happy ending
    By Brian Miller • October 9, 2006 12:00 am

    Theater chain regains financial footing.

    Read Story

    The searcher: Wei Minzhi.
    Not one Less
    By Brian Miller • October 9, 2006 12:00 am

    Zhang Yimou tackles contemporary China.

    Read Story

    Žižek in mid-discourse.
    Žižek!
    By Brian Miller • October 9, 2006 12:00 am

    Runs Fri., Jan. 13–Thurs., Jan. 19, at Northwest Film Forum

    Read Story

    Yes, Yoda is back to kick a little more ass.
    Back to the Future
    By Brian Miller • October 9, 2006 12:00 am

    The last Star Wars installment succeeds—mainly by returning us to the first.

    Read Story

    William Eggleston in the Real World
    William Eggleston in the Real World
    By Brian Miller • October 9, 2006 12:00 am

    Runs Thurs., Nov. 10–Wed., Nov. 16, at Northwest Film Forum.

    Read Story

    Who's fooling whom? Underwood and Roberts.
    Hollywood Confidential
    By Brian Miller • October 9, 2006 12:00 am

    Soderbergh gives an avant-garde spin to familiar material.

    Read Story

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