You’re sitting in a dark theater, watching John Waters’ new movie, Pecker, thinking yourself pretty unflappable. All of a sudden…
A conversation with Elodie Bouchez of ‘Dreamlife.’
Brian De Palma falls short yet again, cliché by cliché.
Japanese director Takeshi Kitano launches a Roman candle of a film.
An unsettling look at a modern master.
A different kind of red scare.
The cinematographer as auteur.
Despite flashes of brilliance, Kubrick’s swan song is tedious and overlong.
Shohei Imamura’s latest is a dizzying, twisted ride.
‘Friends,’ Korean-American style.
The secret rules governing why the Oscars always go to the blandest movies.
Is the world finally catching up to Annie Sprinkle?
Since her father’s death, LV—short for Little Voice—has spent most of her life in her upstairs room, listening to her…
Every so often someone decides it’s time to be honest. Writer/director Neil LaBute’s first film, In the Company of Men,…
Lights! Camera! Generic action!
Attaining the glories of TV stardom.
That’s right, see the boring-sounding ones.
Two films straight from the filmmaker to you.
Casting the end of the millennium as a love story.
The view from the boiler room.
Oldly going where many men have gone before.
Robin Williams goes to heaven, while the movie goes straight to hell.
Watching this movie is something like staring at a stuffed ashtray the morning after a bad party.
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