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    Articles by Margaret Friedman
    Mommy knows best? Drummond and Diekhans.
    Opening Nights: Coriolanus
    By Margaret Friedman • January 10, 2012 12:00 am

    The eternal question of the military’s role in politics.

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    Rosenblatt (rear) and Bestock prepare to mock all that is holy.
    Stage: What Child Is This?
    By Margaret Friedman • December 6, 2011 12:00 am

    Wisemen promises to mock everything we hold sacred.

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    Joyce tickles the ivories.
    Opening Nights: A Pale and Lovely Place
    By Margaret Friedman • December 6, 2011 12:00 am

    Life rules from three mildly satanic characters.

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    Rodriquez and Keene on a dark holiday drive.
    Opening Nights: Reckless
    By Margaret Friedman • November 29, 2011 12:00 am

    Turning holiday smugness on its head.

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    The new pet (Morris, right) ruffles her new owner (Nelson).
    Stage: Sylvia Pits Dog Versus Wife
    By Margaret Friedman • November 22, 2011 12:00 am

    The pacing is smart, the performances excellent.

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    Higham makes a winning debut in Circle Mirror Transformation.
    Opening Nights: Circle Mirror Transformation
    By Margaret Friedman • November 8, 2011 12:00 am

    Personal discovery at acting class.

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    Calvert as the boy caught in Mamet's language games.
    Opening Nights: The Cryptogram
    By Margaret Friedman • October 4, 2011 12:00 am

    David Mamet’s mean vision.

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    Rival monarchs Bouchard (left) and Allgood.
    Opening Nights: Mary Stuart
    By Margaret Friedman • September 27, 2011 12:00 am

    Clinton and Palin weren’t the first battling women in the history of politics.

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    Mother knows best? Jamieson (left) and DiMarco.
    Opening Nights: Amy’s View
    By Margaret Friedman • September 13, 2011 12:00 am

    A production full of pleasures, though a tad broad.

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    Weidman as the fraudulent interloper.
    Opening Nights: Tartuffe
    By Margaret Friedman • August 16, 2011 12:00 am

    Lampooning a shallow society–in Redmond.

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    Just what the doctor ordered? Johnson (left) with Deborah King.
    Opening Nights: In the Next Room, or The...
    By Margaret Friedman • August 9, 2011 12:00 am

    At ACT, Victorian cures for female problems.

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    Our morose heroine (Tyrrell, with hat) and her followers.
    Opening Nights: Melancholy Play
    By Margaret Friedman • July 19, 2011 12:00 am

    A glum woman cheers up, and everything goes to hell.

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    The very dapper Nguyen Sloniker (as Antipholus of Syracuse) and Motley (as Luciana).
    Opening Nights: The Comedy of Errors
    By Margaret Friedman • July 12, 2011 12:00 am

    Shakespeare’s farce goes ragtime.

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    My fare lady? Parker and Roscoe as star-crossed lovers.
    Stage: From Cairo, With Love
    By Margaret Friedman • June 28, 2011 12:00 am

    Laughs trump politics in ACT’s Arab-American romance.

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    Stewart (left) and Jaeger as the mocking onlookers.
    Opening Nights: Elektra
    By Margaret Friedman • June 7, 2011 12:00 am

    A suburban Greek tragedy with echoes of other shows.

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    Trying to get along: Love (left) and Russell.
    Opening Nights: Brownie Points
    By Margaret Friedman • May 24, 2011 12:00 am

    Five Atlanta moms confront race issues, with small explosions and lots of laughs.

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    Not quite betrothed: Kennedy and Childers.
    Opening Nights: Arms and the Man
    By Margaret Friedman • May 24, 2011 12:00 am

    Shaw’s satire of class, militarism, and modernism.

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    Lee (left) as Jesus, with Finley as his betrayer.
    Opening Nights: Jesus Christ Superstar
    By Margaret Friedman • May 17, 2011 12:00 am

    Two Jesuses and Two Judases tag-team it.

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    The shut-ins: Sorseth (left) and Franzen.
    Opening Nights: Fabulous Prizes
    By Margaret Friedman • May 17, 2011 12:00 am

    This theatrical maelstrom is confounding but magical.

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    Wavering in the heat: Allgood and Wright.
    Opening Nights: The Prisoner of Second Avenue
    By Margaret Friedman • May 10, 2011 12:00 am

    This 1971 play feels pertinent again.

    Read Story

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