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Articles by Margaret Friedman
Mommy knows best? Drummond and Diekhans.
Opening Nights: Coriolanus
By Margaret Friedman • January 10, 2012 12:00 am

The eternal question of the military’s role in politics.

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Rosenblatt (rear) and Bestock prepare to mock all that is holy.
Stage: What Child Is This?
By Margaret Friedman • December 6, 2011 12:00 am

Wisemen promises to mock everything we hold sacred.

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Joyce tickles the ivories.
Opening Nights: A Pale and Lovely Place
By Margaret Friedman • December 6, 2011 12:00 am

Life rules from three mildly satanic characters.

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Rodriquez and Keene on a dark holiday drive.
Opening Nights: Reckless
By Margaret Friedman • November 29, 2011 12:00 am

Turning holiday smugness on its head.

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The new pet (Morris, right) ruffles her new owner (Nelson).
Stage: Sylvia Pits Dog Versus Wife
By Margaret Friedman • November 22, 2011 12:00 am

The pacing is smart, the performances excellent.

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Higham makes a winning debut in Circle Mirror Transformation.
Opening Nights: Circle Mirror Transformation
By Margaret Friedman • November 8, 2011 12:00 am

Personal discovery at acting class.

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Calvert as the boy caught in Mamet's language games.
Opening Nights: The Cryptogram
By Margaret Friedman • October 4, 2011 12:00 am

David Mamet’s mean vision.

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Rival monarchs Bouchard (left) and Allgood.
Opening Nights: Mary Stuart
By Margaret Friedman • September 27, 2011 12:00 am

Clinton and Palin weren’t the first battling women in the history of politics.

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Mother knows best? Jamieson (left) and DiMarco.
Opening Nights: Amy’s View
By Margaret Friedman • September 13, 2011 12:00 am

A production full of pleasures, though a tad broad.

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Weidman as the fraudulent interloper.
Opening Nights: Tartuffe
By Margaret Friedman • August 16, 2011 12:00 am

Lampooning a shallow society–in Redmond.

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Just what the doctor ordered? Johnson (left) with Deborah King.
Opening Nights: In the Next Room, or The...
By Margaret Friedman • August 9, 2011 12:00 am

At ACT, Victorian cures for female problems.

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Our morose heroine (Tyrrell, with hat) and her followers.
Opening Nights: Melancholy Play
By Margaret Friedman • July 19, 2011 12:00 am

A glum woman cheers up, and everything goes to hell.

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The very dapper Nguyen Sloniker (as Antipholus of Syracuse) and Motley (as Luciana).
Opening Nights: The Comedy of Errors
By Margaret Friedman • July 12, 2011 12:00 am

Shakespeare’s farce goes ragtime.

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My fare lady? Parker and Roscoe as star-crossed lovers.
Stage: From Cairo, With Love
By Margaret Friedman • June 28, 2011 12:00 am

Laughs trump politics in ACT’s Arab-American romance.

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Stewart (left) and Jaeger as the mocking onlookers.
Opening Nights: Elektra
By Margaret Friedman • June 7, 2011 12:00 am

A suburban Greek tragedy with echoes of other shows.

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Trying to get along: Love (left) and Russell.
Opening Nights: Brownie Points
By Margaret Friedman • May 24, 2011 12:00 am

Five Atlanta moms confront race issues, with small explosions and lots of laughs.

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Not quite betrothed: Kennedy and Childers.
Opening Nights: Arms and the Man
By Margaret Friedman • May 24, 2011 12:00 am

Shaw’s satire of class, militarism, and modernism.

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Lee (left) as Jesus, with Finley as his betrayer.
Opening Nights: Jesus Christ Superstar
By Margaret Friedman • May 17, 2011 12:00 am

Two Jesuses and Two Judases tag-team it.

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The shut-ins: Sorseth (left) and Franzen.
Opening Nights: Fabulous Prizes
By Margaret Friedman • May 17, 2011 12:00 am

This theatrical maelstrom is confounding but magical.

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Wavering in the heat: Allgood and Wright.
Opening Nights: The Prisoner of Second Avenue
By Margaret Friedman • May 10, 2011 12:00 am

This 1971 play feels pertinent again.

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