Site Logo
Courtesy Allied Integrated Marketing

Film

Fallen Star

Film Stars Don’t Die in Liverpool fails to capture the magic of actress Gloria Grahame.

Chawick Boseman as Black Panther. Photo courtesy Marvel Studios

Arts & Culture

Serious Power

Black Panther builds a stunning sci-fi African world, but could use more comic book fun.

Sorry, Not Sorry

Arts & Culture

Sorry, Not Sorry

Lebanon’s Oscar-nominated The Insult captures the universality of devolving discourse.

Photo by Dave O’Leske / ‘Dirtbag’

Film

Mountain of a Man

Dirtbag tells the true story of the obsessive and difficult mountaineering legend, Fred Beckey.

Courtesy Dogwoof/REUTERS/Kevin Lamarque

Film

Hope’s Curtain Call

The Final Year takes viewers inside the unsuspecting last days of the Obama administration.

P.T. Anderson Steps Back From the Void with ‘Phantom Thread’

Film

P.T. Anderson Steps Back From the Void with ‘Phantom Thread’

An exacting performance from Daniel Day-Lewis in this unconventional love story helps the director get back on track.

Courtesy of StudioCanal

Film

The Second Paddington Is Filled With Slapstick and Spirit

And a lot of well-known faces.

‘I, Tonya’ Is Sympathetic, but Tone Deaf

Film

‘I, Tonya’ Is Sympathetic, but Tone Deaf

Jeff Gillespie’s treatment just doesn’t take Harding seriously.

<em>The Rider</em> came out of nowhere to be one of 2018’s best movies. Photo courtesy Sony Pictures Classics

Film

Top 10 Films of 2018

A look back on the cinematic year that was.

Alexander Payne Delivers an Incredible Shrinking Film

Film

Alexander Payne Delivers an Incredible Shrinking Film

With Downsizing, the director continues his exploration of humanity’s foibles in a very different filmic universe.

Frances McDormand plays Mildred Hayes in one of the year’s best, ‘Three Billboards Outside Ebbing, Missouri.’ Courtesy of Twentieth Century Fox

Film

The Movies That Mattered in 2017

Tribalism aside, it was a banner year for film.

Courtesy of Focus Features

Film

‘Darkest Hour’ Aims for an Oscar, but Misses Badly

Gary Oldman and company don’t do the moment justice.

The Highfalutin’ Fantasy of ‘Call Me by Your Name’

Film

The Highfalutin’ Fantasy of ‘Call Me by Your Name’

The latest from director James Ivory is a tad pretentious, very smart, and plenty beautiful.

Courtesy of Blue Sky Studios

Film

Ferdinand Is Too Big for Its Bullring

The modern take on the classic children’s story fails when stretched to feature length.

Things Get Messy in ‘On the Beach at Night Alone’

Film

Things Get Messy in ‘On the Beach at Night Alone’

The latest from Hong Sang-soo is engaging, but maybe a little too real.

‘Wonder Wheel’ Needs Room to Breathe

Film

‘Wonder Wheel’ Needs Room to Breathe

Woody Allen’s latest is filled with dialogue, but what is it really saying?

Thelma. Courtesy of SF Studios Norway

Film

‘Thelma’ Delivers a Scandinavian Version of the Devil You Know

The latest from Joachim Trier borrows liberally from its inspiration and finds its terror in the smaller moments.

Falling in Love With ‘Jane’

Film

Falling in Love With ‘Jane’

A fawning documentary gives us an uncritical look at a remarkable icon.

Courtesy of Cartoon Saloon

Film

A Visual Marvel, ‘The Breadwinner’ Is a Little Too Heavy-Handed

The lessons in Cartoon Saloon’s latest are valuable ones, but the story suffers because of them.

Three Billboards Outside Ebbing, Missouri. Courtesy of Fox Searchlight

Film

‘Three Billboards’ Dazzles With Dark Comedy and Deft Dialogue

With a well-crafted script and superior performances, the latest from director Martin McDonagh packs a punch.