Garrett Fisher’s operas—for lack of a better term—are often mythic explorations of individuals in conflict with larger forces (previous subjects include Galileo and Sir Thomas More). But conflict is his theme, not his method; his music coexists with other arts in a harmonious balance that must be something like what Wagner was groping for when he came up with his theories of the “total art work.” Psyche, premiering this weekend, is the latest in Fisher’s series of meditative, ritualistic theater pieces, which involve dance (choreographed by his sister Christy Fisher), masks and other elaborate costuming (here large-scale puppets by Tori Ellison), and even sculpture, if you include the visual impact of Dean Moore’s lavish array of gongs and other metal percussion. Harmonium, viola, taiko drums, and six-string bass add their colors to Fisher’s intimate “orchestra.” Good Shepherd Center, 4649 Sunnyside Ave. N., 679-5914, www.fisherensemble.org. $12–$15. 8 p.m. (Also: 8 p.m. Sat., May 17.) GAVIN BORCHERT

May 16-17, 8 p.m., 2008