A luxurious, sexy conflation of two 300-year-old plays offers a gallery of dazzling comic turns.
A beloved Canadian author’s final novel is a beguiling tale of motherhood, family, feminism, and a bad thing that happens to a good woman.
ACT’s demise would be a painful one for this critic.
We who run Foster/White Gallery hereby resolve to train our android gallery attendants to smile. Though they’re obviously engineered to…
THE HILLIARD ENSEMBLE/ CHRISTOPH POPPEN J.S. Bach’s Moriumur (ECM) In 1994, Professor Helga Thoene published an article theorizing that a…
Send listings two weeks in advance to: visualarts@seattleweekly.com. Lectures and Events Conversation: John Miller Glass artist John Miller discusses his…
THURSDAY – SATURDAY PERFORMANCE CYNTHIA HOPKINS The title alone should tell you that Hopkins’ Accidental Nostalgia: An Operetta on the…
An alphabetical road back from dope.
What book have you fought about, and why?
ALSO: Isamu Noguchi, Three Sisters, High Noon, annd Anne Bogart/SITI.
Robert Ferrigno and Z.Z. Packer.
IT’S GOOD TO SEE more Korean-American novelists coming out of the fray, adding to the diversity of Asian-American literature. Unfortunately,…
Murder! Lust! Insanity! Soprano Harolyn Blackwell steals the show at Seattle Opera.
Teen dream
A historic visit from Japan’s leading Kabuki troupe may not be as stuffy as you think.
But what do they have to say in this long-anticipated production?
Send listings two weeks in advance to visualarts@seattleweekly.com. Lectures and Events Art Dialogue Suyama Space curator Beth Sellars will speak…
Bret Easton Ellis, Karen Fisher, and Rodney Rothman.
Twelve years, a cyclops, and more than a few shipwrecks.
A tap dancer’s chance to shine.
