“A lot of people in TUF enjoy electronic music and digital media, and were consistently frustrated to see men hold power on so many levels of these mediums.”
Black velvet deep-sea creatures, a chemist-turned-photographer, and unconventional Latin American art.
The author of Shrill could live wherever she wants. Why choose here?
Cafe Nordo adds another week to the run of its popular new play.
Revisist Almost Live, see majestic, dark folk from Boise, or, maybe, just hang with Paul Simon.
Pivot Art + Culture’s new exhibition, Imagined Futures, is drawn from Paul Allen’s collection of outer-space paraphernalia and art. I expected it to be quirky and nostalgic, and it is. I didn’t expect it to be wryly funny, but it is.
With its vaulted ceiling, copious natural light, and burnished-wood glow, Third Place Books new Seward Park branch is a serious contender for the title of Seattle’s Most Beautiful Bookstore.
Psychedelic witch anime, a maze about racism, conversations about net art, and more.
Some comics verite from Seattle’s premiere video rental shop.
As part of Spectrum Dance Theater’s #RACEish season, Byrd is using Baldwin and Mead’s past encounter to consider the state of the present day.
Damien Jurado, the Transgender Film Festival, Working Stiffs, and more.
What happens when a stylized directorial conception doesn’t quite mesh with the voices singing it?
Zeisler has a new book out, and it’s predictably Bitch-y.
Created by Seattle author G. Willow Wilson and artist Adrian Alphona in 2013, Ms. Marvel is the continuing story of Kamala Khan, a teenage daughter of Pakistani-American Muslim immigrants from Jersey City.
Beyoncé-inspired industrial music, exhibits about tiny-living, and ‘Caddyshack’-inspired art shows.
It should be a breathtakingly sloppy evening; partiers will be encouraged to write messages on the walls of the House.
Transience will explore themes of displacement, gentrification, and movement as well as liminal spaces and transitions—whether that’s gender or, as they put it, the process of “shitty punks” becoming functional human beings.
It was clickbait before its time. In 1958 composer Milton Babbitt submitted a thinkpiece to High Fidelity magazine under the benign title “The Composer as Specialist,” and an editor changed it to the more belligerent “Who Cares if You Listen?”, starting a firestorm whose embers still glow.
The world premiere of The Things Are Against Us is a haunted house of a play. But does it get its ghosts right?
The poster artist discusses his new show, changing Seattle, time travel, and feces.
