Garrett’s got what every horn player needs: an instantly recognizable sound. His alto sax is in the soul-jazz tradition, with some of Jackie McLean’s sick twist and David Sanborn’s pop-gospel shouts. Like everyone who was ever associated with Miles, Garrett has been able to trade off that cachet (his latest disc is Sketches of MD), but his work as a leader more than stands on its own. It’s smart, open-hearted, likable modern jazz. As Miles was in his last years, Garrett’s a populist, and he doesn’t mind if people clap along to a joyous 20-minute vamp, rather than sit in the rapt silence of jazz aficionados.

Tue., Jan. 13, 7:30 p.m.; Wed., Jan. 14, 7:30 p.m., 2009