These three female artists work in very different yet similarly appealing styles. The bright domestic photographic tableaux of Blackmon appear staged and flash-lit, set in hyper-real suburbs in some indefinite past. Children misbehave, dogs bark, and parents are preoccupied with their own desires and reveries. Davis embeds her delicate animal images in acrylic blocks, layered with bits of grass, birds’ eggs, beads, and other found objects to convey a lot of depth in very small frames (few are more than a foot square). Richly textured and mysterious, they’re like isolated images from a children’s pop-up book, with the story missing. Westerlind’s photos are also inspired by nature: mostly small melting snow patches on grass, their contours determined by the sun and season, little windows of spring during a fading winter. BRIAN MILLER

Tuesdays-Saturdays, 11 a.m.-5 p.m. Starts: Nov. 27. Continues through Jan. 2, 2009