Part of Julian Casablancas reputation as the Strokes frontman has always been his bratty nonchalance its something of a surprise, then, to discover that his solo album, Phrazes for the Young, is fairly surging with exuberance. Phrazes songs are brassy and confident in ways that the Strokes more recent efforts were not eschewing the dirty garage rock sound that made Casablancas famous, the records first single, 11th Dimension is hook-happy and synth-heavy, effusive and delightful. Amidst the polished texture of the music, Casablancas trademark sleepy croon even sounds newly energized his voice has a vivre we rarely heard on any Strokes record. Phrazes is no one-trick pony of flashy electronic beats, though Ludlow St., an ode to nights out on the Lower East Side, features banjo solos and indeed sounds like a sloshy tune youd belt out with your drinking buddies at the neighborhood tavern. River of Brakelights then switches over to tripping drum machines and weird little synth-riffs the song longingly trills, Waving goodbye, your young heart cries for you but in Casablancas case, the maturation has only brought good things. With the Strange Boys and Rainbow Arabia. All ages. E. THOMPSON
Sun., Nov. 22, 7 p.m., 2009