In his new show Rendered Invisible, the local artist transforms old family photos (and other sources) into meticulous ink drawings. The underlying images are very faint, mostly gray on white, with a ghostly and almost 3-D quality. Some of the borrowed source images appear as if on a screen door: segmented into a pointillist grid that only shows its pattern-within-a-pattern when viewed from the right angle and distance. Erlinger’s work conceals as much as it reveals of his borrowed templates. BRIAN MILLER

Thursdays-Saturdays, 12-5 p.m. Starts: Oct. 7. Continues through Oct. 30, 2010