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Meant to showcase Mexican culture to the world, ‘Luzia’ fails its premise from beginning to end.
Washington Ensemble’s take on “A Doll’s House” gets a meta drag interloper.
David Byrne’s spectacle-driven musical engages with the political history of the Philippines.
Flitting between WWII Japan and the present-day U.S., the play connects the dots of a sterotype.
A Czech opera is transported from Russia to Cascadia, making its villain even more chilling.
From heartbreak to heartburn, the play follows the story of a passionate queer partnership.
How did they get away with this in 1954?
The POC cast confront whiteness, and tell their own stories in a deeply humanizing and poetic way.
Henry the Femme.