- News & Comment
- Arts & Culture
- Special Content
- Print Edition
Technique and transgression fill stages this spring as two styles become one.
Hir at ArtsWest gives trans voices a stage to dismantle the normative.
Evan Flory-Barnes is finally stepping into the theatrical spotlight. All it took was some therapy.
Get ready for the Seattle debut of the smash-hit musical at the Paramount Theatre.
Don’t throw away your daily shot at scoring $10 seats to see the Broadway sensation.
The companies clean out their closets and the costume crowd lines up.
The high-camp cabaret approaches horror from a queer perspective.
Café Nordo’s new production envisions the calamity of corporate control in Cascadia 2046.
Benjamin Benne’s newest play wittily dives into rock and representation.
Faith, family, and feminism lie at the heart of this new play by Ayad Akhtar.
Malika Oyetimein and Myra Platt’s production portrays Angelou through the ages.
A conversation with ACT’s John Langs on whether old dramas should keep getting restaged in Seattle.
In her one-woman show, the artist/activist plays multiple generations of her family.
Catch the show on porches across Puget Sound.
The tale of twisted fates in the United States lacks the clarity to tell an effective tale.
Her bittersweet romance is translated to the stage.
The director’s take on a story of black resilience strategically engages with white audiences.
New beginnings for NCTC.
Playing Alison Bechdel in a Broadway musical is the latest in the actor’s history of allyship.
Two queens coach the clueless in this hilarious peek into an integral form of queer art-making.