Subject:

Marianne Owen

  • Arts

    May 19, 2010

    Opening Nights: The Trip to Bountiful

    Check your snark at the door for Horton Foote's sentimental journey.

  • Calendar

    April 29, 2009

    I Was a Rat!

    Check your snark at the door for Horton Foote's sentimental journey.

  • Arts

    October 8, 2008

    Carved to the Bone

    By eschewing Night of the Living Dead's goriest shocks, this zombie classic becomes an hour-long stage frolic.

  • Calendar

    August 20, 2008

    Intimate Exchanges

    By eschewing Night of the Living Dead's goriest shocks, this zombie classic becomes an hour-long stage frolic.

  • Arts

    October 17, 2007

    Bad Behavior

    Assassinations, character and otherwise, at the Rep and at ACT.

  • Arts

    September 19, 2007

    Four Picks

    Assassinations, character and otherwise, at the Rep and at ACT.

  • Arts

    November 8, 2006
  • Arts

    November 1, 2006

    Bedroom Farce to Underpants

    Cleverly interlocking stories based on elaborated invented myths.

  • Arts

    October 25, 2006

    Stage

    A compendium of humor, performance art, and bedroom drama.

  • Arts

    July 28, 2004

    Calendar Girls

    Enchanted April is a sunny escape at ACT.

  • Arts

    June 16, 2004

    Opening Nights

    Enchanted April is a sunny escape at ACT.

  • Arts

    October 22, 2003

    Opening Nights

    Enchanted April is a sunny escape at ACT.

  • Arts

    May 14, 2003

    Brief Encounters

    Project X, Joe Shmoe, and Voyage Of The Beagle

  • Arts

    January 29, 2003

    Brief Encounters

    Project X, Joe Shmoe, and Voyage Of The Beagle

  • Arts

    October 9, 2002

    No Uncertain Terms

    A brilliant performance brings science alive at the Rep.

  • Arts

    December 29, 1999

    Theater, 1999

    A brilliant performance brings science alive at the Rep.

  • Arts

    September 29, 1999

    White-hot cool blues

    ACT's production of Warren Leight's new play listens close to the music.

  • Arts

    February 10, 1999

    Irish problem child

    Martin McDonagh's new play is well-written, superbly acted, and leaves a very unpleasant taste.

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