- News & Comment
- Arts & Culture
- Special Content
- Print Edition
Navigating the massive lineup can be tricky—here are some of our favorites.
With its incredibly wide-scope and commitment to realness, Draze’s latest is a 2017 highlight.
The Seattle four-piece are the ‘anti-Metallica,’ but their new album is heavy in its own way.
Through his friendship and his example, the late singer pushed his peers to new heights.
The band’s long-awaited return at the Showbox was met with a rapt, adoring crowd.
KEXP welcomed hundreds of mourners to listen to the work of the late, great Seattle-born musician together.
The singer was found unresponsive in a hotel room following a Wednesday night concert.
Paul Allen’s new music festival was fun, but like the system that enables it, weird.
The 300-artist lineup is one of the most locally focused in the region—here’s who’s representing.
With mounting expenses, Folklife and Block Party at the Station wonder if they can go on.
Hydrate yourself before wading through these exhaustive, sizzling listings.
If you’re making the festival rounds this season, don’t miss this fresh regional talent.
A new coalition is petitioning Vulcan to commit to equitable development in the Central District.
Comic artist Max Clotfelter walks us through a brief history of the region’s reigning weirdo music fest.
This month’s best were messy masterpieces for messy times.
A new petition outlines four ways that Vulcan can “truly preserve Seattle art, music and culture.”
On ‘Tether,’ the mutant pop duo tackles the service industry, Frappuccinos, and a commodified Seattle.
The band stretches their skills with some help from Veruca Salt on their new EP.
Academic music types will gather to chat about house music, tunes in the Reagan and Obama eras, and more.
From Toto’s Africa on an Africa picturedisc to Prince’s “Batdance,” we present the best of the weird.