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  • Genre: Documentary
  • Release Date: 01/01/2002
  • Running Time: 98 mins
  • Director: Mel Stuart
  • Cast: The Dramatics, The Staple Singers, Kim Weston, Jimmy Jones, Rance Allen Group
  • Producer: Larry Shaw, Mel Stuart
  • Writer:
  • Distributor: Columbia Pictures
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Box Office

  1. Tropic Thunder, 16.3 million, 65.8 million
  2. The Dark Knight, 26.1 million, 441.6 million
  3. The House Bunny, 14.5 million, 14.5 million
  4. Pineapple Express, 23.2 million, 41.3 million
  5. Death Race, 12.6 million, 12.6 million
  6. The Mummy: Tomb of the Dragon Emperor, 16.5 million, 71.0 million
  7. The Sisterhood of the Traveling Pants 2, 10.7 million, 19.6 million
  8. The Dark Knight, 10.5 million, 489.4 million
  9. Step Brothers, 9.1 million, 81.1 million
  10. Star Wars: The Clone Wars, 5.7 million, 25.0 million
  11. Mamma Mia!, 8.2 million, 104.1 million
  12. Pineapple Express, 5.5 million, 73.8 million
  13. Journey to the Center of the Earth, 4.9 million, 81.8 million
  14. Mirrors, 5.0 million, 20.2 million
  15. Mamma Mia!, 4.3 million, 124.5 million
  16. Hancock, 3.3 million, 221.7 million
  17. The Mummy: Tomb of the Dragon Emperor, 4.2 million, 93.9 million
  18. WALL-E, 3.1 million, 210.2 million
  19. The Longshots, 4.1 million, 4.1 million
  20. Swing Vote, 3.1 million, 12.0 million
Movie Title, Weekly Earnings, Total Earnings

Wattstax

The crowd in Mel Stuart's 1973 concert documentary is as prominent in as the musical performers are. They rhapsodize and philosophize about the blues, interracial sex, and the irresistible villainy of men/women, and, in the film's best scene, swarm down from the stands to the field to strut the Funky Chicken at Rufus Thomas' behest. Concert footage alternates with pleasantly aimless interviews, random local scenery, and Richard Pryor in his prime. Though the soundtrack has been cleaned up, the music remains a letdown. Rufus Thomas is good; the Staple Singers, Luther Ingram, and Jimmy Jones are OK; but Isaac Hayes is a flaccid shaft, Rance Allen an overstuffed potato, and the rest forgettable. As a slice of history, however, it's a show well worth preserving. — Tim Appelo

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