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  • Genre: Drama
  • Release Date: 11/06/2009
  • Running Time: 104 mins
  • Director: Alain Cavalier
  • Cast: Romy Schneider, Jean-Louis Trintignant, Henri Serre, Diane Lepvrier, Robert Bousquet, Jacques Berlioz, Armand Meffre, Maurice Garrel, Marcel Cuvelier, Pierre Asso
  • Producer:
  • Writer: Alain Cavalier, Jean-Paul Rappeneau
  • Distributor: Nouvelles Éditions de Films (NEF)
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Box Office

  1. Dear John, 32.4 mil, 32.4 mil
  2. Avatar, 23.6 mil, 630.1 mil
  3. From Paris With Love, 8.1 mil, 8.1 mil
  4. Edge of Darkness, 7.0 mil, 29.1 mil
  5. The Tooth Fairy, 6.5 mil, 34.3 mil
  6. When in Rome, 5.5 mil, 20.9 mil
  7. The Book of Eli, 4.8 mil, 82.2 mil
  8. Crazy Heart, 3.6 mil, 11.2 mil
  9. Legion, 3.4 mil, 34.6 mil
  10. Sherlock Holmes, 2.6 mil, 201.6 mil
Movie Title, Weekly Earnings, Total Earnings

Le Combat Dans L’île

Alain Cavalier’s 1962 Le Combat Dans L’île isn’t a lost masterpiece—it’s too unstable for that—but it’s fascinatingly nervy. Right-wing militant Clément (Jean-Louis Trintignant) broods around the house, concerned that wife Anne (Romy Schneider) is acting like a slut. Clément’s a man of contradictions; when the negotiations he’s conducting on behalf of workers at his father’s factory break down, Clément grabs his bazooka and heads out to assassinate a politician. As that token summary implies, Combat isn’t overly concerned with coherence or a smooth arc. Instead, it’s a dizzying array of dialectics: Anne’s discovery of the bazooka against the background of her maid singing Offenbach is the neatest (and least extreme) reduction of revolutionary vs. counterrevolutionary dynamics here. Pierre Lhomme’s scintillating, jagged black-and-white cinematography is ahead of its time, and the film’s unexpectedly bifurcated structure sends Trintignant into the ether for almost the entire back half. There’s a surprise every five minutes, except when fascism gets its ass kicked at the end. — Vadim Rizov

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