El Perro Del Mar, Lykke Li, Anna Ternheim
"For you I keep my legs apart, and forget about my broken heart." So
goes the painfully honest breakthrough hit "Little Bit" by Sweden's
newest indie-pop darling. Lykke Li (pronounced Lick-ee Lee) possesses
a demure voice ideal for confessing such vulnerability. Her
introspectiveand totally sexuallyrics are set to a background of
sparse instrumentation and gentle beats. Though Li's voice is about as
audible as a whisper, she easily commands the attention of a rowdy
crowd, luring them in with the promise that she'll share her deepest
secrets. With El Perro del Mar. Triple Door, 216 Union St., 838-4333.
7:30 p.m. $15 adv./$17. ERIKA HOBART
$15 adv./$17. Thu., May 15, 7:30pm
Clinic, Shearwater
Clinic bears an unfortunate, much-mentioned resemblance to the
Beatlesthey're a four-piece band from Liverpoolbut the similarities
end there. Where the Beatles specialized in litanies of pop ditties
that metamorphosed into universally-loved opuses, Clinic plays with
proportions to see how many different song recipes you can concoct
with the same basic set of ingredients: distorted surf guitar and an
appreciation for churchy organ and muted metal power riffs, to name a
few biggies. Known for wearing surgical scrubs and masks during
performances (it's a long-standing tradition), the costumes function
almost as disguises for the foursome, who want to offset the public's
tendency to worship the singer and ignore the rest of the band.
Clinicians Ade Blackburn, Brian Campbell, Hartley, and Carl Turney
take the democratic approach, constantly swapping instruments and
sharing songwriting duties. And even though the oft-bizarre chord
amalgamations hardly resemble each other, even though the contents of
Do It!, the band's fifth full-length record, shows the progress the
band's made in their 11-year evolution, Clinic retains their unique
sound. With Shearwater. Neumo's, 925 E. Pike St., 709-9467. 8 p.m. $13
adv. SARA BRICKNER
$13 adv. Fri., May 16, 8:00pm
Nas, D. Black, Grynch, DJ Nphared
How will Nas top his declaration that a nuclear winter had smothered
hip-hop in a patina of blinged-out bone dust and ashen rhyme
structures? That it had lost its way traveling through the back alleys
of imagined ghettos slimed with sonic sameness and lameness? That it
wasyupdead? By dropping the n-word, of course. Apparently that's the
title of his upcoming album, and that's the only way he could've
generated the kind of public squabbling and squawking his last
release, Hip Hop Is Dead, did. (One wonders how many white liberal
music scribblerslike mewill cringe at having to write, let alone
say, the new title. Thanks a bunch, dude.) And yet there it isthe
ghost of America's slave-trading past, rattling its chains in the
digitized flows of one of the game's greatest. But then again, what
did we expect from the "Last Real Nigga Alive"? With D. Black, Grynch,
DJ Nphared. Showbox SODO, 1700 First Ave. S., 382-7877. 8:30 p.m. $37
adv./$40. All ages. KEVIN CAPP
$37.40 adv./$40. Fri., May 16, 8:30pm
Roy Loney, the Tripwires, the Fucking Eagles
Does anybody really know why Roy Loney didn't make a ton of killer
albums after leaving the Flamin' Groovies in '71? Probably not. But
the talent has been there in spades ever since. The guy is like Dwight
Twilley, had that skinny little twerp toked mad reefer and filled his
soul full of Captain Beefheart in his teens. Translation: Loney tears
it up classic rock 'n' roll style with the perfect mix of pop hooks,
greaser aggression, and punk weirdness. Over the last several years
Loney has been jamming with the Longshots, which, as most Seattle
denizens should know, contains several dudes from the Young Fresh
Fellows. They rock, too. So yeah, get ready for a party. And ladies,
wear poodle skirts covered in chocolate stains. That drives Loney
wild. With the Tripwires and the Fucking Eagles. Sunset Tavern, 5433
Ballard Ave. N.W., 784-4880. 10 p.m. $8. JUSTIN F. FARRAR
$8. Fri., May 16, 10:00pm
Dead Meadow, SubArachnoid Space, Whalebones, Patrol
Man, the stoners haven't had a pairing this perfect since Comets on
Fire played the same night as Hempfest in '06. Whalebones, as we know,
is our local hero of rootsy stoner rock. Listening to them is like
sifting through some cool old dude's records at a flea market: heavy
on the Crazy Horse, Band, Stones, '70s riff rock, etc. In a live
setting, they fuckin' bring it, jamming on chords as if they're riding
a bucking horse. Dead Meadow, from D.C., is all about oozy electric
riffs, mixing the narcotic swell of Spiritualized, the blooze-choogle
of Blue Cheer, and the spacier nod-off moments of the Verve's Storm in
Heaven. Tonight, the two are joined by SubArachnoid Space, a Portland
band specializing in heavy space-prog instrumentals that fans of
Godspeed You! Black Emperor, Explosions in the Sky, Floyd, Earth, and
the like would do well to check out. See what I mean? Total stoners'
paradise. With Patrol. El Corazon, 109 Eastlake Ave. E., 381-3094. 7
p.m. $10 adv./$12. BRIAN J. BARR
$10 adv./$12. Sat., May 17, 7:00pm
Thee Emergency (CD release), the Valley, the Hands
With Dita Vox at the helm, Seattle garage-rock band Thee Emergency
specializes in metal-punk hybrid songs that simply can't be contained.
For the true Thee Emergency experience, you must see the band live,
because no album can capture Thee Emergency's boundless energy. To
truly benefit from Dita Vox's sultry, raw vocals, to rightfully
appreciate Nick Detroit's smooth bass lines and Tom T. Drummer and
guitarist Matt "Sonic" Smith's power riffs, you must do so in
personand you'll have several chances in the next few weeks. Plus,
Thee Emergency's upcoming King Cobra show will celebrate the official
release of Sonic, the band's first full-length record to date. And
even if your home stereo only manages to capture a quarter of Thee
Emergency's righteousness, tracks like "Heartbreaker" and "It's All in
the Reflexes" pack a punch nonetheless. With the Valley and the Hands.
King Cobra, 916 E. Pike St., 8 p.m. SARA BRICKNER
A 60s Mod Garage Party with the Black Hollies, Big Nasties, Autolite Strike
I'm a firm believer that finance should never dictate fashion. Some of
the best, worst, and most memorable outfits I've ever worn were bought
by the bag at some thrift store for what a kid at Mickey D's makes in
one hour. Others were used but tastefully chosen by those fashionably
forward kids at Atlas or Red Light. My greatest find ever was a black
A-line dress by '60s mod manufacturer Bleeker Street. A feat of
tailored excellence with its perfect pleats, fitted empire waist, and
hem just above the knee, wearing it always made me feel like a chubby
Audrey Hepburn, simply sophisticated and tastefully timeless.
Tonight's show, with its mod theme, "tastefully timeless" throwback
bands, and crowd of dedicated followers of fashion, makes me think of
that dress, and of perhaps getting on the treadmill so my post-baby
booty will one day wear it again. Sigh. With the Black Hollies, Big
Nasties, Autolite Strike. Comet Tavern, 922 E. Pike St., 323-9853. 8
p.m. MA'CHELL DUMA LAVASSAR
Kublakai, Cancer Rising, D. Black, Neema, JFK of Greyskul
Besides a clever title, the 206 Degrees and Rising tour features a
busload of Seattle hip-hop talent. See, in case you haven't heard,
there's something happening heresomething steaming in the underground
rhymesayers' lairs in a part of the country heretofore known only for
incessant rain, big planes, dirty rock, and rich white people.
Organized by Sportin' Life's DeVon Manier and Ian Waller, aka Kublakai
(also a performer), the pavement-pounding event will hit at least
eight cities throughout the Northwest, bringing the wide and varied
styles (and that's the thing about the sceneno one sound dominates,
let alone defines, it) of Cancer Rising, D. Black, Neema, JFK of
Greyskul, and a rotating cast of local MCs, DJs, and hosts in venues
across the slate-gray Pacific Northwest. Tonight's the kickoff. Be
there. High Dive, 513 N. 36th St., 632-5656. 9 p.m. $8. KEVIN CAPP
Was (Not Was), Courtney Jones
Don Was boasts an astonishing legacy as a Grammy-winning producer,
working with everyone from Roy Orbison to Iggy Pop to George Clinton.
He also fathered Eve 6's drummer and supervised the Thelma and Louise
soundtrack. But his crowning accomplishment remains Was (Not Was), the
nine-piece funk juggernaut he co-founded. During the 1980s, Was (Not
Was) released brazen tunes such as "Walk the Dinosaur" (fueled by the
caveman chant "boom-boom-hacka-lacka-boom-boom") and "Knocked Down,
Made Small (Treated Like a Rubber Ball)," (which features an awesome,
YouTube-preserved video in which the group travels back in time to
confront a boorish father with magical ball-and-string toys). On this
year's Boo!, their first studio album since 1990, Was (Not Was)
supplements its blazing horns, potent rhythms, and slaphappy bass with
slow-burning soul and falsetto balladry. Sir Harry Bowens and Sweet
Pea Atkinson haven't let their pipes rust: Both versatile vocalists
can still belt out the blues, unleash power-rock growls, and melt
together during Motown-style harmonies. Touring with its original
lineup, the Detroit-based outfit only plucks a couple selections from
the new disc, spending the bulk of its set transforming classic cuts
(such as the aforementioned hits and its incendiary cover of "Papa Was
a Rolling Stone") into rich, expansive jams. With Courtney Jones.
Tractor Tavern, 5213 Ballard Ave. N.W., 789-3599. 8 p.m. $25 adv./$27.
ANDREW MILLER
$25 adv./$27. Sun., May 18, 8:00pm
Blue Rodeo with Luke Doucet
In the late '80s, Blue Rodeo's records were always for sale via that
39-cassettes-for-a-penny scam that appeared in Star magazine. Little
did we know that these savvy roots-rockers from up north were digging
Gram Parsons and the Flying Burrito Brothers long before those punks
in Uncle Tupelo and the Jayhawks. Of course, it was the '80s, which
meant Blue Rodeo's earnest jams also sounded a lot like Crowded House,
the Proclaimers, and cheesy Bruce (the one who busted Caucasian moves
in the "Dancing in the Dark" video). Yet there's no denying that
Diamond Mine album from '89; "Girl of Mine" is just an awesome chunk
of country-soul. Hell, even last year's Small Miracles contains a good
2025 minutes of country-rock heaven. The organ tones rule. With Luke
Doucet. Triple Door, 216 Union St., 838-4333. 7 & 9:30 p.m. $25
adv./$30. JUSTIN F. FARRAR
$25 adv./$30. Mon., May 19, 7:00pmMon., May 19, 9:30pm
Langhorne Slim, Ferraby Lionheart
Dammit, Langhorne Slim, you sexy folk bastard! I experienced all five
stages of grief coping with the fact that last summer I found my No. 1
record even before I had a tan: starting in denial ("In Camera the
best record I'll hear all year? Bahhh, it's only June!"), then anger
("Why., Band of Horses? I was counting on you!), getting stuck in
bargaining/depression ("Sure, Sound of Silver is pristine, but it's
also [insert voice wobbles] sooo chilly. Wahhhhhhh. . . ."), and
finally ending '07 in Arthur & Yu acceptance. It's only freakin' May,
but I've just accepted that no record, no matter how anticipated,
impressive, or open I am to it, is going to give me the complete
listening satisfaction, the it's-so-good-the-pit-of-my-stomach-hurts,
heart-'n'-spine-shivered feeling which I got upon hearing the
sweet-ass, angsty perfection of Langhorne Slim's soul and organ-soaked
debut. With Ferraby Lionheart. Tractor Tavern, 5213 Ballard Ave. N.W.,
789-3599. 9 p.m. $10 adv./$12. MA'CHELL DUMA LAVASSAR
$10 adv./$12. Mon., May 19, 9:00pm