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This series of vignettes, set around wintry Livingston, Montana, is more about the tone than the tale.
While the film isn’t top-notch, the true story it tells couldn’t have come at a more appropriate time.
Like D.W. Griffith’s landmark film, this will be remembered for unintended reasons.
The film is a fleet crowd-pleaser, but the thrills of the explosions should raise questions.
Medieval mockumentary, a DIY gameshow, indigenous documentaries, moody sci-fi, and films about milk.
The remake of the ’60s Western classic is enjoyable but half-hearted.
The cinema needs women making movies about everyone and everything, including, sometimes, men.
Keeping the action to a mere six minutes, this unadorned film is still a testament to human grit.
Of mucus and melodrama.
‘Southside With You’ is an interesting, but not necessarily compelling, take on the biopic form.
One of his many stops in the film is an Internet-addiction rehab center here in Washington.
In this film, everybody’s basically all right.
Honest but not maudlin, this movie has a few hard feelings and one thrown punch.
This year has seen a slew of great femme-driven comedies, but this isn’t one.
With his pretty new film, the director delivers some sharp jokes, but never gets into a groove.
But the Matt Ross film still manages to chafe some.
After a misfit 11-year-old joins a dance team, her peers succumb to mysterious seizures.
There’s a warm heart under the digital exterior, one that makes us long for rubber sharks.
The film underscores De Palma’s keen, sometimes lurid grasp of what cinema is.
“I acknowledge this film’s power, and still feel uneasy about it.”