Battles/Wednesday, October 12
We Four pay their respects to John Coltrane on Oct. 22 as part of the Earshot Jazz Festival.
Rachael Wright
The Drums.
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Battles are one of those too-rare bands that are as dazzling to watch as to listen to. There's Jon Stanier's athletic drumming, with his trademark crash cymbal perched high off the ground like a flag planted atop whatever mountain the trio have most recently conquered; the tricky interweaving guitars and dual keyboards bounced back and forth by Ian Williams and Dave Konopka; and, most of all, the way it all coheres into some Rubik's cube–twisting rhythmic jams, as precise as anything from the band's storied "math rock" past but giving the illusion of a jam band in their grooves. For their lead singer–less album Gloss Drop, the trio have been playing along to smartly synched (and stuttered) video screens of the album's guest vocalists (Gary Numan, Matias Aguayo, Blonde Redhead's Kazu Makino). It's a hell of a show. With Walls. Neptune, 1303 N.E. 45th St., 682-1414. 8 p.m. $19. All ages. ERIC GRANDY
*EDITOR'S PICK
The Drums/Wednesday, October 12
After releasing their popular self-titled debut last year and riding the hype of their ultra-peppy single, "Let's Go Surfing," things started to go south for the Drums. Their guitarist acrimoniously left the band, and lead singer Jonathan Pierce started telling media outlets that after "a lot of shouting matches," the band was close to breaking up altogether. Instead, they somehow stuck it out and recorded their second LP, the symbolically titled Portamento—an Italian musical term denoting the movement from one note to the next. The songs of Portamento swell with a range of turbulent emotions. The first single, the quick-moving, addictive "Money," sounds even perkier than "Surfing," but the second, "How It Ended," is more representative of the whole album—a bit downtrodden, like a sad reflection of an emotional upheaval. With Veronica Falls, io echo. Crocodile, 2200 Second Ave., 441-4618. 8 p.m. $12. ERIN K. THOMPSON
Blackie/Thursday, October 13
When seasoned Seattle guitarist Gary Westlake asked super-vixen vocalist Dejha Colantuono (the pipes behind Ragazza and Rotten Apples) to join his Blondie tribute band, she agreed, with the caveat that the band be called "Blackie." As a petulant young punk-in-training, Colantuono stole a copy of Blondie's 1978 masterpiece Parallel Lines when she was 9, subsequently learning all the songs—and Harry's moves—backward and forward. "Deborah Harry has always been an inspiration to me," says the former Seattleite. "She was sexy as fuck without being overt, and the band covered the gamut of styles and genres fearlessly." Colantuono now lives in New York City, while Westlake and the other band members (including the Shins' Dave Hernandez) are bound to other bands here in Seattle, so it's a rare treat to have them all onstage together, one way or another. With the Pytons, DJ Cherry Canoe. Chop Suey, 1325 E. Madison St., 324-8005. 9 p.m. $8. HANNAH LEVIN
Matt Badger & His Flock of Knives/Friday, October 14
As the drummer for Ravenna Woods, Matt Badger is usually tucked at the back of the stage, partly hidden by his instruments. The opposite is true for his new side project, curiously dubbed Matt Badger & His Flock of Knives. Badger has been writing solo material for years, influenced by familiar musicians like Elliott Smith, Sparklehorse, and Bob Dylan—"I just enjoy writing simple songs," he told me in a recent e-mail. None of the songs have been recorded yet, but YouTube's got some live performances up, showing Badger fronting a three-piece band, singing and strumming a light acoustic guitar—much more easygoing stuff than Ravenna Woods' tumbled and chaotic sounds. Or, as Badger puts it, "It's about as far from Ravenna Woods as Dylan is from Hendrix." With Pica Beats, Cumulus, Ole Tinder. Comet Tavern, 922 E. Pike St., 322-9272. 9 p.m. $7. ERIN K. THOMPSON
Endangered Blood/Friday, October 14
With a name that would sound equally at home in the world of death metal, Endangered Blood is clearly not an ordinary jazz group. But fans of more traditional jazz shouldn't be worried—their music won't sonically rip your head off (at least not all the time). The group sound finds an interesting balance somewhere among rock, free jazz, and bebop. Drummer Jim Black sounds like grunge/alternative meets improvisation, with a distinctively trashy, clanky palette that drives the group and keeps the music dark without being oppressive. With bassist Trevor Dunn, the rhythm section here creates much of the texture, allowing saxophonist Chris Speed and multi-reed player Oscar Noriega freedom to go from poignant melodies to blistering solos as they please. Town Hall, 1119 Eighth Ave., 652-4255. 9 pm. $7–$14. All ages. BEN MORROW
Gang Gang Dance/Friday, October 14
At the Pitchfork Music Festival in Chicago this past summer, Gang Gang Dance were allotted about as much time to play as any middle-tier act—about an hour or so—but they only managed to cram, like, four songs into their set. That's because live, the band can stretch their already meandering electronic/percussion jams to epic lengths, led by singer Lizzi Bougatsos' witchy, funhouse-mirror vocals and by the considerable effort of the band's resident flag-waver/scarf-twirler/Bez-style vibesman. But if their songs run long, it's not because they do it locked into any one form; instead, the band's tracks morph from trippy house to new-age ambience to searing ersatz techno, never quite heading where you expect. With Prince Rama, Stephanie. Neumos, 925 E. Pike St., 709-9442. 8 p.m. $13. ERIC GRANDY
