Some high-school classes read the great books, but at Intermediate School No. 52 in the South Bronx, they paint over them. Texts by Malcolm X, Stephen Crane, Nathaniel Hawthorne, Mary Shelley, Ralph Ellison, Franz Kafka, and others are torn from their bindings, arranged in collages, whitewashed, and adorned with ribbons in the survey show Tim Rollins and K.O.S.: A History. Artist/instructor Rollins took his post in 1981, then later moved the workshopwith its constantly changing crew of at-risk teensto Chelsea, where they became gallery darlings, the children of Basquiat. He doesnt individually sign their work, which tends to be large and bright, swiftly apprehensible like graffiti on a moving subway caranything but academic. Its unclear how much he suggests and they execute, who has final say in the atelier. In a companion video, Rollins tells his pupils dont illustrate these text but to instead find a visual correspondence. With about two dozen works grouped in two galleries, the effect is both hopefulwhen many schools are cutting their arts budgesand limited. You want to know what became of these nameless teens, how many are still creating art today, if their lives were really changed by their tutelage. Some questions are answered in a companion book, written New York curator Ian Berry, available with other materials in a study room. But thats only reading, not painting. BRIAN MILLER
Tuesdays, Wednesdays, Fridays, Saturdays, 10 a.m.-5 p.m.; Sundays, 12-5 p.m.; Thursdays, 10 a.m.-8 p.m. Starts: Jan. 23. Continues through May 31, 2010