Julian Casablancas

Related Content

• Sweet Secrets' Color Force Rocks Out Full Force
  January 10, 2012
• Ambulance
  January 25, 2012
• Is This It? 1991 Had Nirvana, 2001 Had the Strokes--What Does 2011 Get?
  August 5, 2011
• Photos & Perspective: PJ20 Was a Rain-Soaked Birthday Party of the Highest Caliber
  September 7, 2011
• Heems of Das Racist Flips the Strokes' Too-Hot-for-9/11-America Track "New York City Cops" For Stereogum Tribute Stroked
  July 26, 2011

More About

• Julian Casablancas
• The Strokes
• Lower East Side

Part of Julian Casablancas’ reputation as the Strokes’ frontman has always been his bratty nonchalance – it’s something of a surprise, then, to discover that his solo album, Phrazes for the Young, is fairly surging with exuberance. Phrazes’ songs are brassy and confident in ways that the Strokes’ more recent efforts were not – eschewing the dirty garage rock sound that made Casablancas famous, the record’s first single, “11th Dimension” is hook-happy and synth-heavy, effusive and delightful. Amidst the polished texture of the music, Casablancas’ trademark sleepy croon even sounds newly energized – his voice has a vivre we rarely heard on any Strokes record. Phrazes is no one-trick pony of flashy electronic beats, though – “Ludlow St.,” an ode to nights out on the Lower East Side, features banjo solos and indeed sounds like a sloshy tune you’d belt out with your drinking buddies at the neighborhood tavern. “River of Brakelights” then switches over to tripping drum machines and weird little synth-riffs – the song longingly trills, “Waving goodbye, your young heart cries for you” – but in Casablancas’ case, the maturation has only brought good things. With the Strange Boys and Rainbow Arabia. All ages. E. THOMPSON
Sun., Nov. 22, 7 p.m., 2009