Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Headlights

Published on November 04, 2009 at 5:00am

Ethereal and deeply emotional, Headlights’ new album Wildlife is not so much a departure for the band as it is a fuller realization of its ultimate intentions. While much of Headlights’ work to date has been noticeably poppier and more upbeat, it has always carried an undercurrent of emotional depth and sonic dreaminess. This time around, the band captures that ruminative quality, encapsulating it in wistful keys and chiming guitar figures, with the ever-furtive sound of Erin Fein’s vocals acting as foil when the melody and meter veer toward purer pop territory. That dichotomy represents the best moments on this album; when the two sides coalesce, resulting in catchy tunes that leave you smiling despite a nagging sense of melancholy. As is always the case with Headlights’ music, even its headiest songs offer moments of pure pop bliss. NICHOLAS HALL
Sun., Nov. 8, 9 p.m., 2009