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Bleach: Krist Novoselic Interviews Dale Crover The Nirvana bassist chats with the Melvins drummer about making Bleach, Metal Church, and their friend Kurt.
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Recording Nirvana Before They Were Nirvana Jack Endino recorded an unknown, unnamed band at an unmemorable session that he'll never forget.
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Cover Story: Barack & Load Alan Gottlieb’s challenge to a gun ban in the President’s adopted hometown has made it all the way to the Supreme Court, and fattened the ex-con’s wallet in the process.
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Nirvana: Back in Bleach The first Nirvana album was probably the last one you heard, but it marks a critical chapter in Seattle music history.
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Bleach: Krist Novoselic Interviews Chad Channing The drummer on most Bleach tracks talks about Nirvana's "Doom Pop" sound, naming "About a Girl," and Endino's snack attacks.
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Bass Drum of Death
Published on November 06, 2009 at 5:00am
If you like tawdry combinations of raw sexual energy and cheeky, off the meter smarts, meet your sweet new faves, John Barrett’s Bass Drum of Death. Mississippi bred and Fat Possum approved, this duo gloriously pillages the likes of White Stripes and Nirvana, all while reverently referencing The Kinks, the BJM, and George Harrison for the most refreshing sound I’ve heard this year. The combo of Barrett’s artfully gifted guitar playing and Collin Sneed's simple percussion and most importantly, dance machine (like a punk rock Jerome to Barrett’s Morris Day) have produced the N1H1 of singles "Stain, Stick, Skin," whose closing chant “The celebration ain’t televised” will be in your head for weeks. MA'CHELL DUMA LAVASSAR
Tue., Nov. 10, 9:30 p.m., 2009
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