The Weekly Wire: The Week’s Notable Events

WEDNESDAY 7/15

Karaoke: Greenwood Idols

The Rickshaw Restaurant & Lounge serves greasy Chinese food and American fare, but nobody ever goes there to eat. The establishment is much better known for satisfying folks who've got an insatiable appetite for karaoke. It's packed with singers until closing every night of the week—"singers" being a generous label for drunken, off-key Phil Collins crooners and Beach Boys wailers. The Greenwood joint is endearingly tacky and schizo, decorated with both Asian-style paper lanterns and silver disco balls. And all walks of life step up to its worn mike to sing. (This reporter's choice cut: Ace of Base's "The Sign.) And if you require several glasses of liquid courage before you can even think about selecting something from the song catalogue, don't fret. The Rickshaw's got your kind covered, too. Happy hour starts at 10 a.m. 322 N. 105th St., 789-0120, therickshaw.net. Free (21 and over). 9 p.m.–2 a.m. ERIKA HOBART

Photography: Looking Back

Alice Wheeler is perhaps best known for her iconic shots of Kurt Cobain and other local musicians. But the Seattle photographer—whose music photos have appeared in Time, Rolling Stone, and Seattle Weekly—isn't just another groupie clutching a Nikon at the edge of the stage. Her new show, "Women Are Beautiful" (through August 15), examines the way women create and control their public images. We see a pregnant woman celebrating Evel Knievel Days and a young girl showing off her David Bowie T-shirt and hot-pink-miniskirt combo. A topless anti-fur protestor with the words "Go Vegan" scrawled across her stomach in marker dangles a cigarette from one hand, information pamphlets in the other. She stares saucily at the camera. She—like all those captured by Wheeler's lens—knows you're looking at her. Greg Kucera Gallery, 212 Third Ave. S., 624-0770, gregkucera.com. Free. 10:30 a.m.–5:30 p.m. ERIKA HOBART

THURSDAY 7/16

Photography: Facing the Elements

Resource management, or mismanagement, is an act of violence—one that works both ways. We take for granted in the Northwest our abundance of snow and water until they're gone. All it requires is one long, hot dry spell, and our brown lawns and short showers remind us how we're not so different than Arizona: at war with the hostile elements. Olympia photographer Steve Davis went on a series of Western-states road trips, beginning two years ago, and his show "The Western Lands" documents terrain both damply familiar and dryly alien, from our Pacific Coast to the Salton Sea. These are landscapes not so obviously blighted by industry, but shaped by settlement and consumption: frost-coated highways to nowhere, chemical storage tanks arrayed like rolls of hay, the lunar mounds of a gravel pit, flooded Christmas-tree farms, high-tech windmills churning far from the suburban cul-de-sacs they cool and illuminate. A faculty member at Evergreen State College, Davis has previously been known for portraiture among the developmentally disabled and youth locked up in jail. You could say his new show marks a passage from Diane Arbus to Edward Burtynsky, from the petty criminals, freaks, losers, and outcasts to the harsh environments that formed them. Through August 22. James Harris Gallery, 312 Second Ave. S., 903-6220, jamesharrisgallery.com. Free. Reception: 6 p.m. BRIAN MILLER

Environmental Art: Stationary Stream

Seattle artist Mandy Greer spent three months creating a 200-foot fiber river of brilliant blue yarn and recycled fabric for her public art installation Mater Matrix Mother and Medium (on view through July 31). The city-commissioned piece is supposed to get Seattleites thinking about environmental stewardship and our urban watersheds. Greer has been holding crochet-a-thons in coffee shops, festivals, parks, and libraries throughout Seattle since May. The results are now woven through the woods. Her prodigious blue textile spiderwebs climb and slink around the trees, creating a calming and somewhat spooky atmosphere. Tonight, Greer collaborates with local modern-dance choreographer Zoe Scofield in a performance that will celebrate the mythical power of water. Camp Long, 5200 35th Ave. S.W., 684-7434, seattle.gov/arts. Free. 6:30 p.m. CHANTAL ANDERSON

FRIDAY 7/17

Food: Thrift on Your Fork

This weekend's Bite of Seattle introduces a new, recession-friendly attraction, Just a Bite!, offering smaller (two- to three-ounce) servings for $3.75. Discount vendors near the International Fountain will include Kaosamai Thai, Thrive, and Mobatta Crepes to Go. The Bite claims that a diet-conscious public demanded the svelter portions, but we suspect the economy is more of a factor. Those with fatter wallets and fuller purses can wander elsewhere to sample dishes from over 50 local restaurants (Biringer Farms, Bombay Grill, etc.), which—based on past experience—approach $10 per diner when you add a drink. ($7 is this year's stated top price.) Beer gardens and wine tastings are part of the fun, and 150 music and comedy acts are promised on six different stages scattered around Seattle Center. Parents will be relieved to know there's a play area with special karaoke zone. As usual, there will be a special Tom Douglas–branded area that costs a flat $10 to come in and graze from upscale eateries including Volterra and Dahlia Lounge. But $3.75 is the number for me. Free. Seattle Center, biteofseattle.com. Free. 11 a.m.–9 p.m. BRITT THORSON