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  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

PICK The Hangover: We Heart Zach Galifianakis

By Jim Ridley

Published on June 02, 2009 at 8:43pm

Old School fans, remove your earmuffs: This messy, raunchy farce about three groomsmen (Bradley Cooper, Ed Helms, Zach Galifianakis) on a lost-weekend bender in Sin City is just as uneven but almost as funny, continuing director Todd Phillips' fascination with the alpha male's default setting—childhood reversion. To put it another way: This is a movie about three yutzes who wake up face-down in a high rollers' suite with live chickens, a smoldering armchair, and a Jacuzzi full of inflatable livestock. At that point, they must answer the burning question: Dude, where's my groom? As their search leads from cut-rate wedding chapel to no-tell motel, the Jon Lucas and Scott Moore screenplay strives mightily to strew banana peels in their path—most amusing, some merely desperate. What proves consistent, as in Old School, is the chemistry among Hangover's three species of party mammalia: Cooper has the smarmy look of an avocational gynecologist; Helms uses his wall-mounted Whiffenpoof features to manic effect, with a girlish shriek for each new catastrophe; and the ursine Galifianakis, a master at detonating sicko one-liners with a slow fuse, adopts a gut-forward toddle and an air of guileless hedonism, like a debauched tot with a city-sized Nuk. Together they form a lopsided portrait of flabby, shabby wannabe machismo—an instant rejoinder to the old taunt "man up."