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  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

My Life in Ruins: Why Does Nia Vardalos Hate Greece?

By Scott Foundas

Published on June 02, 2009 at 8:47pm

Substitute "career" for "life" in the title of this stillborn travelogue comedy, and you'll have a succinct verdict on My Big Fat Greek Wedding writer/star Nia Vardalos, whose efforts to prove herself more than a one-megahit wonder have been greeted by audiences with an apathy previously reserved for the post–Crocodile Dundee oeuvre of Paul Hogan (see the short-lived 2003 sitcom My Big Fat Greek Life and the even shorter-lived 2004 drag-queen farce Connie and Carla). Here, in the opening salvo of her double-barreled 2009 comeback bid—the Vardalos-scripted and -directed I Hate Valentine's Day is set to follow in July—the Greek-Canadian comedienne once more tries to parlay her Hellenic pride into box-office gold, starring as an unemployed history professor reduced to working as an Athenian tour guide. The result, written by The Simpsons alum Mike Reiss and directed (in a manner of speaking) by Grumpy Old Men's Donald Petrie, is a strangely self-loathing affair that paints Vardalos' tour group as a uniformly ill-mannered, culturally illiterate bunch while rendering Greece itself as a badly plumbed third-world hellhole run by lazy, Zorba-dancing louts. The requisite ugly Americans are here, as well as the beer-guzzling Aussies and one wizened, Viagra-popping widower (Richard Dreyfuss, really slumming it). But then what did you expect from a movie with characters named Poupi and Doudi Kakas?