Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Maria/Stuart

Published on May 20, 2009 at 5:02am

What will audiences make of a play that tries to fit comic-book superheroes, handless train-wreck victims, and changelings into a story that’s supposedly modeled scene-for-scene on a German romantic tragedy written in 1800 revolving around Queen Elizabeth I and Mary Queen of Scots? Hard to say. I found it frustrating, engaging, fascinating, and the very kind of thing that keeps live theater a viable art form. Three sisters (Denice Bleha, Lori Stein, and Macall Gordon) are struggling with a family secret that has left one of them nursing an elderly mother, another with a son who daydreams of selling his super hero to a movie studio, and a third who lost a battle with a train and now has prostheses for both hands. Add to of this the strange periodic appearances of The Changeling, who haunts them by speaking in German, gibberish, and a rather eloquent extra-terrestrialese. It's a gloriously disjointed mess of a dramedy, directed by David Gassner. KEVIN PHINNEY
Thursdays-Saturdays, 8 p.m. Starts: May 8. Continues through June 6, 2009