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  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

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    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

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    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

PICK Let the Right One In: Adorable Swedish Child Vampires in Love

By Elena Oumano

Published on November 11, 2008 at 9:13pm

This lucid Swedish indie gem, adapted for the screen by John Ajvide Lindqvist from his novel and directed with imagination and restraint by Tomas Alfredson, releases the vampire movie from overwrought conventions, like close-ups on trembling bosoms and bloody fangs, offering instead a coolly balanced and utterly compelling examination of alienation and love. Let the Right One In follows the burgeoning relationship between Oskar (Kåre Hedebrant), a pale 12-year-old tormented by bullies and ignored by adults, and his new neighbor, Eli (Lina Leandersson), who is "more or less" 12 years old and, though less pale, a vampire. Eli enters the friendship reluctantly, but it becomes apparent that each offers what the other lacks. Set in a wintry Stockholm suburb, the film is lit like a Renaissance painting. Wise performances from Hedebrant and (especially) Leandersson infuse the film with a low-key naturalism that allows for maximum believability.