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  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

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    By Alan Prendergast

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    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

Beautiful Plastic

Brad Adkins at Cornish.

By Adriana Grant

Published on October 07, 2008 at 7:27pm

One of the most striking pieces in "Gimme: From Inspiration to Appropriation," an exhibit curated by Suzanne Beal at Cornish, is a plastic water bottle. The bottle looks crystalline, almost as though the plastic had been heated, melted, and allowed to bubble and cool, forming delicate, evenly spaced, perfectly circular pockets of air. But Brad Adkins' Plastic Water Bottle is far simpler: a water bottle drilled through, over and over, with a Dremel tool. With a diameter designed to fit in your hand—and you'll want to touch it—the drinking cylinder has become a sculpture composed of tiny holes, all the size of a thumbtack's tip. The 12-ounce beverage container has been so thoroughly perforated that the surface is more air than solid. A delicate lace is formed by the negative space. Additionally, the material seems to have mutated in the making: No longer pliable and transparent, the bottle has become brittle under the stress of repeated hole-punching. In this transformation, a common disposable object has been made into a carefully rendered sculpture, something permanent, possessing intention, pattern, and beauty.