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  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Saratoga Sake

Published on August 13, 2008 at 5:01am

After flipping through countless Victorian-era photo albums he’d dug up at flea markets and antique stores, tattoo-artist-turned-painter Saratoga Sake reached a conclusion: Everybody looked fucking miserable back then. The California-based Sake’s new exhibit, “Dames, Gents, and Suspects” (through Aug. 29), is a playful homage to the 19th century’s romantic yet macabre essence. His gorgeous paintings showcase a slew of pulsating hearts, sunken-eyed women, and children with woeful expressions that look like . . . well, like they lived in a time when Jack the Ripper was loose on the streets. Examine Sake’s paintings more closely, and you’ll detect a modern twist: His preferred instrument is an aerosol paint can. Suite 100 Gallery, 2222 Second Ave. Suite 100, 956-3900, suite100gallery.com. Free. Noon–6 p.m. ERIKA HOBART
Mon., Aug. 18, noon, 2008