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  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

Voyager One

Saturday, April 5

By Rachel Shimp

Published on April 02, 2008 at 5:00am

Burbling, underwater guitars, reverberations that pierce the atmosphere and dive deep underground, slow and steady bass, and the chink of a tambourine, drawn out like the slowest bump and grind of a dancer's hips: that's "Give," from Voyager One's newest album Afterhours in the Afterlife, and it isn't even the best track. That'd be "Sine Waves," a multilayered daydream praised with expletives on the BBC, or opener "Here," which sets the album's narcotized tone perfectly. Did I mention how Peter Marchese's voice now seems to transmit all the sex of Black Celebration era Dave Gahan's, minus the gothic airs? It's no wonder that "Gun," from V1's Monster Zero made its way into the pants of a Suicide Girls soundtrack. If only the other bands knew how to do it so well. With Head Like a Kite, the Upsidedown and the Kindness Kind. Tractor Tavern, 5213 Ballard Ave. N.W., 789-3599. 8 p.m. $8. RACHEL SHIMP
Sat., April 5, 8 p.m., 2008