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  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

Voyager One

Saturday, April 5

By Rachel Shimp

Published on April 02, 2008

Burbling, underwater guitars, reverberations that pierce the atmosphere and dive deep underground, slow and steady bass, and the chink of a tambourine, drawn out like the slowest bump and grind of a dancer's hips: that's "Give," from Voyager One's newest album Afterhours in the Afterlife, and it isn't even the best track. That'd be "Sine Waves," a multilayered daydream praised with expletives on the BBC, or opener "Here," which sets the album's narcotized tone perfectly. Did I mention how Peter Marchese's voice now seems to transmit all the sex of Black Celebration era Dave Gahan's, minus the gothic airs? It's no wonder that "Gun," from V1's Monster Zero made its way into the pants of a Suicide Girls soundtrack. If only the other bands knew how to do it so well. With Head Like a Kite, the Upsidedown and the Kindness Kind. Tractor Tavern, 5213 Ballard Ave. N.W., 789-3599. 8 p.m. $8. RACHEL SHIMP
Sat., April 5, 8 p.m., 2008