Advanced Archive Search >>

Most Popular

National Features >

  • Houston Press

    The Passion of Victoria Osteen

    A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.

    By Rich Connelly

  • City Pages

    Your Field Guide to the RNC

    Today Denver, tomorrow the Twin Cities.

    By Matt Snyders and Bradley Campbell

  • The Pitch

    Star Power

    A country musician rescues Waylon Jennings' tour bus from the scrap heap.

    By C.J. Janovy

  • Village Voice

    Serrano's Second Movement

    The provocateur who brought you "Piss Christ" pinches off a new concept.

    By Lynn Yaeger

CJ7: Stephen Chow’s Latest Chopsocky Comedy

By J. Hoberman

Published on March 12, 2008


 

Something of a departure for Hong Kong's reigning master of special-effects slapstick Stephen Chow, CJ7 is a father-son fable transparently modeled on Steven Spielberg's E.T. Chow plays a single dad who works as a day laborer to send his young son, Dicky, to an elite elementary school—where the kid is ridiculed by teachers as well as classmates for his raggedy clothes, poor hygiene, low test scores, and paucity of possessions. In his effort to get Dicky an expensive toy, Dad rummages through the garbage dump and inadvertently brings home an extraterrestrial left by a flying saucer. The "super space dog," as Dicky calls it, is a fluffy-headed, round-eyed dingbot with a flexible antenna and a stretchy, star-shaped body. Nearly as adorable as the pre-demonic gremlins in Joe Dante's gloss on the E.T. myth, the creature is also mysteriously unpredictable. CJ7 lacks the all-out F/X delirium of Chow's Shaolin Soccer or Kung Fu Hustle, but like all of the writer-director-star's films, it celebrates the underdog—a few Chinese critics have managed to read it as a political satire of the new Hong Kong. That the boy is actually extremely well played by an 8-year-old girl, Xu Jiao, gives the movie an additional gimmick.