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  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

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    By Joe Eskenazi

  • Houston Press

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  • Westword

    Open Secrets

    Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.

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50 Against Aqaba

Peter O'Toole takes the Cinerama by storm

By Brian Miller

Published on March 12, 2008

A movie that truly deserves the 70mm format must have two things: 1) an awesome landscape to photograph, and 2) a star whose face can command the frame in close-up. Check and check. But there are at least five other factors that earned the great Lawrence of Arabia its seven Oscars (including statuettes for picture, director David Lean, and cinematographer Freddie Young). The 1962 epic, which runs almost four glorious hours, places T.E. Lawrence on a heroic dune even while eroding the sand beneath his feet. O’Toole (pictured, left, with Omar Sharif) brilliantly captures this charismatic yet flawed leader of the British-sponsored World War I-era Arab insurrection against the Ottoman Empire; he’s brave, weak, sadistic, and alluring all at once—an idealist whose white cloak is spattered in blood. Colonial maps of the Middle East are being drawn in Lawrence, making its talk of nationalism, tribalism, and occupation even more resonant today. (NR)
Sun., March 16, noon; Tue., March 18, 8 p.m., 2008