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  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

The Gambler

One of Robert Altman’s finest took big risks with movie conventions

By Brian Miller

Published on March 05, 2008

Funny how, some three decades later, the antiwar film M*A*S*H is considered a classic war movie and McCabe & Mrs. Miller (1971) is now deemed a classic Western, though it’s set in the snowy Pacific Northwest, after the closing of the frontier, and without any proper cowboys in sight. Warren Beatty stumbles into town as perhaps the least impressive cardsharp in movie history. Julie Christie, as the town madam, is considerably smarter about money and sex. And their love story—though it’s hardly that—also resists the usual resolution of a couple on horseback riding into the sunset. The two are entrepreneurs, petty capitalists whose thriving town brothel becomes a takeover target of larger corporate interests. And while Altman always sides with the little guy, he knows which powers will inevitably prevail in such a contest (see his last movie, A Prairie Home Companion, for a reiteration of the same theme). McCabe is an elegy for a town that failed, for a relationship that didn’t work, and for the whole fading Western genre. It’s also one of Altman’s very best pictures. (R)
Wed., March 5, 6:45 & 9:15 p.m., 2008