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Recent Articles
Recent Articles by Brian Miller
A local drive-in is forced to charge kids for the first time since Bedknobs and Broomsticks.
Our government oppresses one minority for the benefit of another.
Meet the Barack Obama of 12th-century Asia.
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National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
The Gambler
One of Robert Altmans finest took big risks with movie conventions
Published on March 05, 2008
Funny how, some three decades later, the antiwar film M*A*S*H is considered a classic war movie and McCabe & Mrs. Miller (1971) is now deemed a classic Western, though its set in the snowy Pacific Northwest, after the closing of the frontier, and without any proper cowboys in sight. Warren Beatty stumbles into town as
perhaps the least impressive cardsharp in movie history. Julie Christie, as the town madam, is considerably smarter about
money and sex. And their love storythough its hardly thatalso resists the usual resolution of a couple on horseback riding into the sunset. The two are entrepreneurs, petty capitalists whose thriving town brothel becomes a takeover target of larger corporate interests. And while Altman
always sides with the little guy, he knows which powers will inevitably prevail in such a contest (see his last movie, A Prairie Home Companion, for a reiteration of the same theme). McCabe is an elegy for a town that failed, for a relationship that didnt work, and for the whole fading Western genre. Its also one of Altmans very best pictures. (R)
Wed., March 5, 6:45 & 9:15 p.m., 2008