Most Popular
"Most Popular" tools sponsored by:
Blogs
Thu Jul 3, 2:36 PM
Thu Jul 3, 1:23 PM
Fri Jul 4, 9:13 AM
Thu Jul 3, 1:47 PM
Fri Jul 4, 1:06 PM
Fri Jul 4, 8:16 AM
Fri Jul 4, 9:38 AM
Thu Jul 3, 3:51 PM
Thu Jul 3, 5:31 PM
Thu Jul 3, 4:51 PM
Recent Articles
Recent Articles by Adriana Grant
No related articles found
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Falling Silk
These shapes tumble over themselves in a seemingly endless riff on gravity.
Published on March 05, 2008
Cast upon a tall wall in the central gallery space of Western Bridge, images of striped silk squares tumble from ceiling to floor. The falling takes place over and over, and becomes repetitive, hypnotic. Jennifer Steinkamp's continuously looped film, Formation G, depicts an animated series of colorful squares, shiny, delicate, and thin, with stripes that exaggerate the silklike texture. Stand still long enough and you'll begin to observe a certain pace to the falling. Close to the ceiling, the silk drops slowly, but when it reaches the middle of the wall, it seems to accelerate. And then another square appears at the top, beginning its own slow fall. One after another, these shapes tumble over themselves in a seemingly endless riff on gravity—and, perhaps, loss. Similar installations have been seen at Lehmann Maupin in New York and at the Kemper Museum of Contemporary Art in Kansas City. As the artist's site reads, this work is "variable, approx. 8–12 feet high, vertical, fits between edge of floor and ceiling."