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  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

City of Men: The TV Sequel to City of God

By Julia Wallace

Published on February 27, 2008

City of God, Fernando Meirelles' 2002 film about Rio shantytowns, was spun off into a hit TV series (something like the Brazilian equivalent of The Wire) featuring two of the movie's youngest stars, favela-bred Douglas Silva and Darlan Cunha. Now the boys are grown, and the series is being re-spun off into another film. Their characters, Ace (Silva) and Wallace (Cunha), are best friends who grew up together in the shadow of Pool Hall Hill, where Wallace's drug-dealer cousin, Midnight (Jonathan Haagensen), reigns supreme. This is an all-male world—presumably because the town's women are off not being stupid, not getting themselves killed, and not abandoning their kids—and themes of fatherhood and brotherhood are particularly resonant. Neither Ace nor Wallace knew his father growing up (although it turns out that their fathers knew each other), and after a misguided quest to discover their roots and avenge the past, they turn to each other and the future, recognizing that they are each other's best chance to escape the entrancing violence of gang warfare. Paulo Morelli directs capably, with a heavy dash of MTV-generation flair: hypersaturated colors, close-ups of skin glittering with sweat, and a constant patter of gunfire that undergirds the soundtrack like a steady heartbeat.