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National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Video Play

A truly endless summer, and other stories

By Adriana Grant

Published on February 13, 2008

A visual story of unrequited love (or lust) between two fancy-shirted cowboys: that’s Isaac Julien’s The Long Road to Mazatlan (screened in Seattle once before in 2004’s “Only Skin Deep” photography exhibit at SAM). A digital, paint-blurred, almost cartoonish short of what appears to be a gorilla, caught and retold in a mess of color: Takeshi Murata’s Monster Movie. And a trope on how to jump off a bridge: a summer tale, looped over and over again. All that falling gets beautiful, if you watch long enough: the reluctant bravery it takes to jump off the bridge, and (shown in quick succession) all of those young bodies. And the one girl pulled in, her legs careening in the empty air. This last one is Dara Friedman’s Government Cut Freestyle, depicting kids jumping off a pier in Miami. Western Bridge’s current video-based show, “Multiplex,” is a little summer, a little romance, all of it a little hypnotic. Hours: Noon–6 p.m. Thurs.–Sat. Show ends March 29.
Sat., Feb. 16, 12-6 p.m., 2008