Krist Novoselic on Punk Rock; Brian Miller on Barista Etiquette

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The Problem With "Room for Cream?"— And the solution.For too long the well-meaning baristas of Seattle have been politely inquiring, "Room for cream?" Which, frankly, we take as an insult. Fine, they were trained to ask the question by Starbucks or some other such coffee-hawking employer, but it creates a false hierarchy among us caffeine-dependent customers. The query privileges an absence, as it were, ranking your to-go order status on the basis of something that many consider a contamination of their drink. (Are people who prefer it straight and black to be treated as second-class citizens?) To those who enjoy coffee in its unadulterated form, in order to prevent spillage, answering "Yes" to the server feels like a lie, a bad-faith statement obtained under Abu Ghraib–like duress. It's a betrayal of the very desire that brings us to the counter in the first place. We don't want less coffee; we only want to avoid burned fingers and coffee-stained shirtfronts when the stuff bubbles through the supposedly secure lids. And we certainly don't want milk. Thus, to assert our equal rights as coffee drinkers, I propose the following manifesto. Pre-empt the whole "room for cream?" conundrum, avoid mentioning pollutants (milk, cream, sugar). Spread the phrase, chant the slogan. Say it loud, order it proud: Room to walk.— Brian MillerKrist Novoselic: KZOK Punk and Flipper's ReturnI first heard punk-rock music in 1979. Seattle's KZOK had a Sunday night radio program called Your Mother Won't Like It. The show featured music from listeners who served as guest DJs. One evening the guest hosts brought in a ton of punk rock!!! Music from the Sex Pistols, Ramones, and the Wierdos along with a whole assortment of first-wave punk. I recorded most of the show on a cassette that wore out from overplay.For various reasons, my next dose of punk was about three years later through the American hardcore movement. Buzz Osborne, a new friend from nearby Montesano, loaned me some of his hardcore records. Buzz was also in a band called the Melvins.One group that stood out was Bay Area avant punkers Flipper and their album Generic. I really didn't know what to think on first listen. The sound was dark, and the low-fi production with loose playing almost sounded live. It was on the third listen that I had an epiphany. The music drew me into a universe where bleak was beautiful. I realized the work was as heavy and transcendent as anything in the rock echelon. Mainstream convention was shattered. Flipper were too weird and dangerous for the world. And if the world didn't get it, that was just another loss for humanity.Flipper were proto-grungers. Their sound was slow and sludgy: a big influence on many Seattle bands of the late '80s, early '90s. Kurt Cobain wore a Flipper shirt on Saturday Night Live. I remember seeing a Flipper sticker on the Soundgarden Chevy van.Song structure was very basic. Each tune had only one or two parts. A typical arrangement was a strong bass line, steady drums with dissonant guitar. The lyrics were about personal alienation, anti-authoritarian, or both. And there was as sense of humor too! They made four records in the 1980s including the seminal Generic and Gone Fishin, respectively.This band was really on the edge—for better or worse. In December of 1987, co-vocalist and bass player Will Shatter overdosed and died. Guitarist Ted Falconi, drummer Stephen Depace, and vocalist / bassist Bruce Loose parted for a while. They emerged in 1993 with a new album, American Grafishy. Tragically, in 1995 Bassist John Dougherty met the same fate as Shatter, and Flipper slipped into an extended hiatus.Loose, Depace, and Falconi reunited in 2005 with bassist Bruno DeSmartass to headline a benefit for CBGB's in N.Y.C. After a handful of shows, Bruno left the band to work on his business (thus breaking any notion of some kind of bass player curse). In 2006 Flipper were asked by Thurston Moore to play the All Tomorrows Parties festival in the U.K. That's where yours truly was invited to play bass.We followed the gig with a tour of the U.K. and Ireland opening for the Melvins. It was a lot of fun. After the tour, I wanted to keep playing with the fellows but didn't have the desire to be in a nostalgia band. So we started playing new material. There was a spark of inspiration within our group. Jack Endino recorded us, and we're now in the process of mixing.2008 is shaping up to be a time of re-emergence for Flipper. To hold fans over, I've included a live track for your pleasure. The tune is "Way of the World." It was recorded by Jack Endino at Seattle's Funhouse last August. I hope it's as much fun to listen to as it was for us to play.Media ConsolidationPlease note what's going on here…we have an amalgam of writer, artist, promoter, and music distributor!Also, the music is being offered by the artists willingly and free of charge.— Krist Novoselic

 
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