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  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • Miami New Times

    Mold Over Miami

    The family of a dead judge blames a creeping fungus in the federal courthouse.

    By Tim Elfrink

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

Stars, Miracle Fortress

Our favorite Canadian drama queens

By Mike Seely

Published on November 14, 2007

Montreal’s Stars operate with a sense of preciousness that rivals Belle & Sebastian and the Decemberists. Just look at the liner notes of Stars’ latest, a concept album titled In Our Bedroom After the War. Here, co-leader Torquil Campbell (also of Broken Social Scene and Memphis fame) is credited with contributing “vocals, synths, melodica, apple pipe, whining, ranting, weeping.” Ugh—I’d love to be able to hate this band. But I can’t, because unlike their contemporaries, Stars deliver on their grand conceit with mind-blowing consistency. Ranging stylistically from Morrissey to Morcheeba, In Our Bedroom satisfies at a level somewhere between Stars’ overrated (but still really good) Set Yourself on Fire, and the underrated (and even better) Heart. Simply put, they’re one of the few modern-day bands that gets high concept dead right. Miracle Fortress opens.
Fri., Nov. 16, 8 p.m., 2007