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The young waitress showed us to a black-marble table on a raised platform at the front of the room, next to a blown-up photo of a man in a conical hat crossing a log bridge, and handed us menus. I was immediately reminded why I'd returned to this unprepossessing place: esoteric dishes—like salad with fresh snails, deer or goat sautéed with lemongrass, and crispy quail—that you can't find at Tamarind Tree.
Our waitress said she was studying English, but we still had to rely on the old fingertip system of communicating which dishes we wanted: a lotus-root salad, a sour tamarind soup with catfish, and boar with tapioca. She brought bottles of Heineken and glasses of ice to the table, then wandered back into the kitchen.
"How do you think they keep all of these crazy ingredients on hand?" a friend asked.
"Freezer," I prayed. There were a half-dozen diners in the room, at 8 on a Friday night, no less.
I was wrong: They don't keep the ingredients in a freezer. They don't keep them on hand at all. After a few moments, the host came over to tell us she was out of the boar—and the deer and the goat. Beef la lot, not an uncommon dish in Seattle, required a second rush to the kitchen to confirm the cooks were out of la lot leaves to wrap the meat in. We eventually negotiated our way, through pointing and head shaking, to beef luc lac (often called "shaking beef" on American menus).
And just as on my first exploratory visit, Saigon Pearl's food transcended its surroundings. With bright, sweet-sour notes, tropical ingredients, and more pronounced spiciness, the dishes clearly represented southern style——the difference between Hanoi and Saigon food is like Boston versus Miami. Served in a lacquered wooden boat, a pile of translucent pickled lotus rootlets, creamy white pork belly, and halved shrimp was covered in herbs and fried shallots. The clean, searingly hot lime-and-fish-sauce dressing that coated the salad made me begin to see the wisdom of pouring beer over ice. The beef luc lac, juicy cubes of steak marinated with a little soy and quickly stir-fried, cooled down as it was tossed with fresh lettuce; the dish didn't have much appeal until we squeezed some lime quarters into a side dish of white pepper and dipped the meat into the paste. Then it popped. Catfish stew, a famous Mekong Delta specialty, had a clear, tamarind-soured broth—not too sweet, not too spicy—packed with fresh tomatoes, pineapple chunks, bone-in catfish steaks, and slices of bac ha, a porous plant stem that sopped up the broth like a crunchy sponge. The electric aroma of the soup came from the green flecks coating the top of the bowl, a mix of cilantro and rice-paddy herb (ngo om).
We ate, ordered another beer, finished as much as we could. When we looked up, the four men around us had multiplied into three dozen, including a few women, all dressed for a night out. Dishes and aluminum tubs filled with ice and Heineken bottles sat at the center of all the tables, and everyone was smoking, eating, and drinking in equal measure. Was the stage going to light up? We didn't wait around to see.
A third visit. When the first half of my party arrived, one of the patrons stood up and yelled something in Vietnamese; cigarettes were quickly stubbed out.
This was a Tuesday night, and the setup was the same: darkened stage, room lit so bright you could see who had and hadn't shaved. Same demographics: All men ages 20 to 40, all drinking, almost all wearing white shoes. There were about three parties this time, ranging from four to a dozen guys, and once 8 p.m. hit, the host was joined by two young women who clip-clopped back and forth across the room in high white heels to deliver rounds of drinks and beatific smiles.